Saturday 26 December 2015

Where in the world can I buy Tales From The Tavern?

Editor's note - From December 27-29, Tales From The Tavern is FREE on Amazon. Hurry, hurry!

One of the oddities with selling on Amazon is that it has stores around the world. You might click on a link we've tweeted out only to find yourself in a different regional store. So... to make life easier for you, here are the collected links to stores around the world selling the fantasy collection from Inklings Press, Tales From The Tavern.


Five tales of fantasy from five new writers.

In The Bear-Trap Grave, Brent A. Harris examines the meaning of friendship for people isolated from civilization in a story from the edges of a fantasy realm.

True story, by Alei Kotdaishura, examines how often the ‘official’ version of an fantasy tale rarely has any similarity with the... true story.

Matthew Harvey brings a traditional fantasy story in the form of Battle at Veldhaven, a real treat of the genre.

Silver Horn by Ricardo Victoria is a more comedic take on the traditional heroic quest as a young man discovers more about his own past while taking on his epic journey.

In A Taste for Battle, Leo McBride uncovers the aftermath of a drunken rant by a charming rogue that ends with him and his friend in a rough spot against an invading army.

The US and associated countries using Amazon.com: Buy here
The UK: Buy here
Canada: Buy here.
Mexico: Buy here.
Australia: Buy here.
Germany: Buy here.
France: Buy here.
Spain: Buy here.
Italy: Buy here.
Netherlands: Buy here.
Japan: Buy here.
Brazil: Buy here.
India: Buy here.

We'd love to hear your thoughts on the book - so if you have posted any reviews you could tweet our way that would be great. Or just catch up with us for a chat at @inklingspress.

Monday 21 December 2015

New Year, new plan... for podcasts.



The arrival of the end of the year sees my podcast review column reach its first anniversary. It's carrying on next year, of course, but for 2016 I'm planning on adding a new strand to the coverage.

Mirroring the Q&As with authors that have been featuring on the blog, I'll be introducing a series of chats with podcast hosts about what they do, what inspired them to do so, and their best - and maybe worst! - moments. The Q&As will feature principally here on the blog but may also feature in the newspaper as and when needed. Because the podcasts are likely to feature people from a wider area than the newspaper circulation zone, though, it'll chiefly be a blog thing.

Just as with the author Q&As, there will be a long and arduous process of applying to feature in such a blog. The process is as follows: 1 Say hey, can I get in on that? 2 The process ends.

So, step up, podcasters, I'd love to hear from you. Now, gotta come up with a name for this...

Saturday 19 December 2015

Favourite books of the year - a selection by authors

Inklings Press called out on Twitter for authors and followers to suggest some of their favourite books that they have read this year - so to bring them all together in one place, especially with Christmas upon us, we round up the suggestions in this blog post. Inklings Press authors also suggested some of the writers they have discovered this year that they want to read more of next year. We'll update this post with further tweets or notes from our authors as they come in. 



What has been your favourite book that you've read this year, and what was it that you loved about it?

Brent A Harris: I’m going mainstream as, Suzanne Collins’ Hunger Games was my favorite book by far this year—with the caveat that I’ve had to do a lot of non-fiction reading lately, mostly for research. I haven’t read fiction nearly as much as I’d like. Collins’ writing is clear, crisp, and on point. It might be a YA book, but she doesn’t patronize her audience, which I feel many YA authors have done. It’s an excellent case study for any author writing a book: her lead character is compelling, the writing is engaging, and she follows every rule of literature that we all hear about but love to break because we want to be, ‘artistic.’ The most important thing I learned from a rather enjoyable case study is that you can write a complex book with only 1 POV and still tease out what other characters might be thinking without breaking your character’s perspective. While the films are great, and pretty faithful to what I’ve read so far, I recommend every writer read Collins to see a textbook example of good writing. I’ve started, Catching Fire and will finish the trilogy out by the beginning of 2016.





Alei Kotdaishura: This one was rather difficult. I've beat my own reading record but still, many of them left me with a "not excellent, good... but not great either" feeling, some even with a "meh, whatever" feeling. I thinkg I'm between Christopher Paolini's Inheritance Cycle and Goran Petrovic's The Hand of the Good Fortune. Paolini's is a high fantasy story, with magic, elves, dwarves and dragons. I loved the way the author details the world and the characters involved in the story; the characters are complex in their actions and emotions, so they are easy to bring to life. Also, there is action, which settles a nice pace in the story. Petrovic's is rather hard to describe. I can't tell you much about the plot without giving spoilers, so I won't even try. The plot develops slowly but it makes you want to keep reading, trying to figure out what is going to happen, and whether there is a point to everything that happens. The book jumps from past to present once and again, and it keeps switching characters, while you piece everything together. It's not an easy book to read, but I enjoyed it in the end.


Leo McBride, in his secret identity... well, normal identity... of Stephen Hunt said: 




The author of Malus Domestica, S.A.Hunt, also joined in after that recommendation:



Chuck Wendig also responded but very diplomatically said it was too tough to choose just one.

Christopher Ruz in his Q&A with us, when asked what he was reading at the moment and what was his favourite book of the year, said: I'm reading Chuck Wendig's Zeroes at the moment - I'm on a real Wendig kick at the moment, but as soon as I'm done I'm going to reread one of my old favourites, Alfred Bester's The Stars My Destination. The best book of 2015 is, no question, S.A. Hunt's Malus Domestica. It's a modern horror story about witch hunting in the south, and it's goddamn terrifying. 

And one from a fan we could just hug!



That last one is Ricardo Victoria, who expanded on his answer by saying: Abomination by Gary Whitta. First because it’s a mash-up of two genres I enjoy, well three genres: fantasy, Lovecraftian horror and historical fiction. It is a great mix of elements that don’t feel forced at all to develop a rich dark fantasy story, with a decent worldbuilding and all of it in a single tome, a rare sight in these days of multiple doorstopper sagas. It is a great example of economy of writing while engaging the author with fluidity, suspense and the right beats. I just love it. Second, I liked that it was a very professional self-publishing work that proves that you can do it right with the appropriate amount of acumen and hard work. Helping independent authors is a must these days and you can find jewels knowing where to look. This book has become my benchmark on how to tell an engaging story in a single volume with great worldbuilding and yet leaving plotlines open for a second story. And as an aspiring writer, I feel that is useful.

In her Q&A, author JR Bryant had said: WOW! A favorite book from the past twelve months… Totally out of sync with what I normally read, I was introduced to the Monster Hunter International series by Larry Correia. While MHI is totally monsters (and scary ones at that) and a lot of weapons porn, I fell in love. It is well written and the characters are easy to get into. Currently, I am reading three separate books/series. My daughter and I are reading the Percy Jackson series by Rick Riordan. I am re-reading the entire Anita Blake series by Laurel K. Hamilton in anticipation of her new book Crimson Death. And I am also reading The Fate Series by S. Simone Chavous (as it came highly recommended).

She added: 






In her Q&A with us, author Lydia Sherrer saidCurrently I’m reading “A Discovery of Witches” by Deb Harkness. I picked it up because a friend compared it to my series. It’s wonderful so far, but has a very different magic system. So far this year, I'd say World War Z (the BOOK not the movie). That book is a spectacular, realistic look at how world societies would react to a global zombie apocalypse. It is intensely riveting, fascinating, and delves deep into human nature and psychology.


In splendidly cheeky fashion, Gareth Davies chipped in with:



...before adding:



Author Renee Scattergood in her Q&A with us said: My favorite this year…wow that's a hard one. I've read so many books I loved. When I'm in full blown reading mode I can read two or three novels (sometimes more) a week and I average about sixty a year. I'd have to say my favorite so far this year was The Omen Machine by Terry Goodkind. I just love his books. They're the exact right amount of dark, mysterious and creepy for me.

So what about writers that authors have discovered this year that they are looking to read more from next year? 

Alei Kotdaishura: Maybe Laini Taylor. I read the Daughter of Smoke and Bone series and, although I didn't love the story itself, she writes with some lyricism that leaves you feeling like you ready poetry instead of prose, which makes the story more intense at the key points where she actually needed to transmit feelings. Like I said, I didn't love the story. Maybe it was because I had a hard time imagining the characters, maybe it was because she took about a book and a half (out of three) to show where the story was going, but I'd definitely try reading something else from her. 

Brent A Harris: No, but it’s on the agenda next year as I won’t need to do nearly as much research reading. As an indie author myself, my goal is to not just read, but to connect with other indie authors. I just recently heard about alternate history indie author, Christopher G. Nuttal and I downloaded his latest book, Storm Front: Twilight of the Gods. Of course, he’s been writing books for many years, so I’m late to the game. But I’ll be starting off the New Year with this book and wanted to give him an appropriate shout-out. There are many other books I want to read by fellow authors I’ve made a connection with over the last few years. I’ll be reading as many as I can. So thank you, writers, for the enjoyment you’ll be bringing to my shelf (or kindle).

Leo McBride: Jen Foehner Wells. I read an anthology of sci fi recently called Dark Beyond The Stars (review here) and there were a number of writers in there that I hadn't read before. Annie Bellet is one I'd like to read more from, but the standout story in the collection for me was by Jen Foehner Wells. In a short story, she managed to juggle questions of motherhood, family, usage of gendered pronouns, what you would do for those you loved, and all in a fascinating sci-fi setting. I haven't picked it up yet but I'll be snagging her novel Fluency once I'm through the books I'm reading right now.

Ricardo Victoria: Well, Gary Whitta, albeit he is working in a movie right now that I plan to watch, so dunno if he will publish another book soon. I have heard good things of Chuck Wendig so I’m planning to get his Star Wars book. More than just authors, I’m planning to get more Star Wars novels, like Lost Stars. Also, while he is not a new writer, I would like to read Terry Brooks and his Shannara setting, since the TV show is coming. And of course I would like to read more from my co-authors at Inklings Press, since right now Stephen and I have a contest to see who finish first our respective novels and I’m working my way through Brent’s novel.

PODCAST REVIEW: Top of the Pods - the top 5 podcast shows this year

As previously published in The Tribune Weekend section of December 18.


With the end of the year approaching, this week we take a look back on the podcasts we've reviewed this year - and pick out five of the best. It's been a tough task choosing some of the best of the year, and we've only listed shows that are still running, which has eliminated one or two across the course of the year. Without further ado, our countdown begins…



5 Freakonomics

You have to pay attention if you're listening to Freakonomics, but they cover subjects that are worth paying attention to. They take subjects and look at them a different way, at the consequences behind how things operate, and the unintentional effects of economic decisions. For example, the podcast I reviewed this year looked at private healthcare, and how the financial emphasis changes the way in which healthcare operates - keeping patients in hospital more often, for example, if  beds are available, because you can charge for that and insurance will pay up. They tackle a broad range of subjects - but always with a forensic eye for detail and asking the question "What does this mean?". 




4 Love + Radio

Love + Radio brings stories of the unexpected. The goal of the site is to present interviews with unexpected subjects. It illuminates the lives of everyday people, and discusses their reasons for doing the things they do. There's the interview where a woman was catcalled by a man as she walked past him, so she picked up her microphone and asked him why, leading to an intriguing conversation exploring who this man was and what his life was filled with. There's another chat with a man who runs a strip club from his home - and why. It's brilliant stuff, that looks deeper than the surface of our everyday life. 




3 Stride and Saunter

Also looking more in-depth at subjects is Stride and Saunter. Covering a range of subjects, the hosts, Hector Marrero and Kip Clark focus on a single issue and its implications. They've discussed philosophy and body language, reviewed other podcasts and tackled cultural appropriation. That might sound heavy going, but the show keeps it accessible, and all within the context of two people chatting. Not easy to do, but somehow they do it very well. 




2 Pseudopod

I've covered a few fiction podcasts over the year - but Pseudopod remains my favourite. It's a website featuring horror stories - partner podcasts cover fantasy, science fiction, young adult fiction - and while the audio readings themselves are top notch, what I really like is that episodes also feature a mood-setting introduction and a discussion afterwards of the themes featured in the story. Many years ago, on the BBC, there was a fantastic series of movies as part of their Moviedrome season, introduced and discussed by director Alex Cox. Pseudopod is the Moviedrome of horror podcasting. It's like those moments sitting chatting with friends about what you loved in a story, all done with keen insight into the issues laid bare by the writer, and by the actor reading the story aloud. 




1 Serial

The first series of Serial was a phenomenon, going beyond the usual audience of podcasts to draw people in. It was, fittingly for its title, a serial of connected podcasts, all focusing on reporter Sarah Koenig's investigation of a single criminal case, that of the murder of 18-year-old student Hae Min Lee in Baltimore. Her boyfriend, Adnan Masud Syed, was jailed for the murder. But there remained loose strands in the investigation, strands that Koenig picked away at, revealing potential flaws in Adnan's conviction. It's fascinating, revealing the inner workings of the justice system, and how it ends… well, I wouldn't want to spoil it for those who have yet to listen. But do listen. You'll be hooked, and wanting to play the next episode right after the last. Series two has just begun… and we'll be looking at that in our next review. 

Friday 18 December 2015

A Q&A with author Lydia Sherrer

Leo McBride puts on his Inklings Press hat to have a chat with Lydia Sherrer, author of the Lily Singer Adventures, a modern fantasy series, due to be published in April, as well as tales of urban fantasy and dystopian futures. She talks to the blog about her work, her influences, her faith and her plans for the future. 



Hi Lydia, and welcome to the blog! We bumped into each other out there in the wired world of Twitter – so we're new to your work too, tell us about the kind of fiction that you write.

Hi Leo! Thanks so much for having me. I’m honored and appreciate the time and effort you spend on featuring different authors! So far, I've written modern and urban fantasy as well as dystopian and post-apocalyptic scifi. My novella series coming out in April, Love, Lies, and Hocus Pocus - The Lily Singer Adventures, is modern fantasy, full of snarky humor, magic and cats. However, the first series I started writing back in 2008 is urban fantasy and is much darker, full of pain and heartache, weighty topics, death, and hard choices. The story was too close to my heart to publish at the time, so I started the Lily Singer series in 2014 to publish first.

You have a website over at lydiasherrer.com – and readers arriving there can get the first chapter straight away of your story of modern day magic, Hell Hath No Fury. That stars Lily Singer – and don't think we don't notice she shares your initials! - and starts off with the best way to get out of a boring date. Tell us, that presumably is your favourite launch point for readers into your reading, so what is it about that story that you think represents your work best?

Haha! I swear the LS initials thing was NOT intentional. Maybe subconscious, but not intentional. I've always loved the name Lily, and I was enchanted with Singer sewing machines when I was little. So yeah, that’s where Lily Singer came from. The series name, Love, Lies, and Hocus Pocus, focuses on the main themes of the whole series: relationships (both romantic and familial), secrets (both intentionally hidden and lost in time), and magic. It seemed natural to open the series with one of Lily’s failed dates. Though an introvert, she has a romantic side, just really awkward with strangers, particularly men. I think these themes reflect a lot of what we go through in life, whether searching for love, searching for the truth, or exploring our imagination.

We also couldn't help but notice that Lily very pointedly describes herself as “not a witch. A wizard”. What's the thinking behind that?

The creative melting pot for my magic system has influences from D&D, other RPG games, Harry Potter, Sabriel, The world of Tortall, and a bit of Harry Dresden, along with my own dollop of crazy originality. So in my world, wizards are born, witches are made. These designators are not gender-based, but refer to whether you were born with the genes that allow you to manipulate magical energy from the Source (thus being a wizard) or are a mundane (non-wizard) who has gained magical abilities through the trade of favors or alliances with magical creatures. It’s the difference between directly accessing the Source, or manipulating the results of its energy through a proxy (artifact, fae, demon, spirit, etc). Anybody can be a witch, but only certain people can be wizards. This has led to an elitist attitude by many wizard throughout the centuries, and is one of the challenges both Lily (a wizard) and her friend Sebastian (a witch) face.

We like that - that's a nice bit of world building to grow out of a simple designator! The Lily Singer series is being released in an episodic format, we notice. We chatted with Renee Scattergood recently, whose own dark fantasy series has been running in a similar format which brings both advantages and challenges. What made you decide on that format?

Deciding on this format was two-fold. First, I love me some good TV series (Dr. Who, Bones, Supernatural to name just a few). Short stories have been severely underrated for a long time and TV series are just a long string of short stories with an overarching plot. I really like that format. Second, I was getting burnt out on my urban fantasy series and wanted to try something different. I started writing a light-hearted and humorous story, but didn’t want to wait a year and a half before anyone got to read it. I needed to start putting myself out there, building a platform. By informally releasing a chapter a month (my own site, not amazon) it allowed me to build a platform while preparing to self-publish. So, episodic format was both my creative inclination as well as a business decision. Now that I'm publishing in print, I'm including two episodes in each book, along with never-before-read interludes from Sebastian Blackwell's point of view, Lily's friend and trouble-making accomplice. That brings each book up to about 60K, the same length as a short YA novel.

You have the first four episodes out now – with up to episode eight due by September next year. Does it cause any issues with your writing as you work on material and reflect on what you've written before, having to make sure continuity holds together? Or do you have it all mapped out in a grand plan?

Ha! Definitely the former. I have an overall plot arc, but this story has DEFINITELY changed and grown as I've written it. Each new episode gets my creative juices flowing, adding to the world-building and backstory. The trick is to: 1) be general where needed - this gives me wiggle room later to further extrapolate on generalities I mentioned before; and 2) have a solid backbone to the story that none-the-less allows for a lot of flexibility.


Lydia Sherrer's website includes a rundown of all her stories. 

Away from Lily, I'm intrigued by one story of yours you mention as being out there in the submission process – Eye For An Eye, a dystopian sci-fi tale which you say was inspired by the September 2013 mall massacre in Nairobi, Kenya. That must have been a very emotional tale to put on the page, I imagine – what process did you go through with the creation of that story?

When I read that news story, I was helpless with fury at the sick bastards who would slaughter innocent people. I empathize easily with others and have a vivid imagination. It makes me a good writer, but it also makes me cry a lot when I read the news. Reading that story got me thinking -wishing, really - that if people suffered the same pain they inflicted on others, maybe they'd stop hurting each. I started imagining how a future society could make that reality, and what the social consequences would be. The story doesn’t give an answer for what’s right or wrong, or what society should do about violence. Rather, it explores human nature, and some logical consequences of society’s efforts to fix its problems. The path to hell is paved with good intentions.

One of the things that is very soon clear to anyone visiting your site is the importance of your faith in your life. Do you think that reflects in your writing or are they distinct strands in your life? If so, how do you think it comes through – and what do you try to express in your writing in that regard?

My faith is my life, literally. It’s the hope that keeps me going day by day, and as the good book says, I should always be ready to give a reason for the hope that is in me. I believe we are separated from God by our sin, and Jesus died on the cross to bridge the gap sin created. It’s ultimately not about right or wrong (though that is part of it), but about having a personal relationship with someone that loved you so much, he sent his own son to be executed on your behalf. Its about being loved by him, returning that love, and sharing that love with everyone else. That’s a powerful message, and I can’t NOT share it. So yes, it definitely shows up in my fiction, but in subtle ways. C.S. Lewis is my model. The Chronicles of Narnia are full of metaphor pointing to Christ, but never once is he mentioned. I want to tell stories, not preach. My stories are based on the basic moral foundation I believe in, but that doesn’t mean my characters are Christians or that they do the right thing. Far from it. I want my stories to be accessible and resonate with those who don’t necessarily believe what I believe. So I try to write realistically. Life is full of death, evil, uncertainty, mistakes, and struggle. I know what it’s like to doubt, to lose hope. But I also know what it’s like to have unshakable faith, and to see hope in the darkest night. That’s what I try to express in my writing - that ultimately, good always wins, love always conquers, and hope never dies.

There's a great deal of supportive material for other authors on your site – with advice on publishing, tips for writers... it feels very much these days – perhaps it was always thus – that writers are very much their own support network. Tell us a little about why you feel it best to reach out to help others.

Wow, what a great question. For a more in-depth answer, check out this blog post I did on friendship. The short answer is, I could never have gotten where I am now without the advice and support of my writer friends. At its core, it is better to give than receive, and the act of giving brings so much blessing to the giver. I have been exponentially blessed by reaching out and helping others, not to mention how happy it makes me personally.

We chatted briefly on Twitter about how hard it can be to be learning to do your own marketing as writers – how do you feel about that part of the process?

It is so, so important, and a part that I personally enjoy (though a lot of writers don’t). But there is a definite learning curve. You have to do your research. If you're trying to make a living, only about 50% of your success is based on what you actually write. The other half is how well you A) show you exist and B) convince people to buy your product. Nobody can buy what they don’t know about, so getting the word out is essential. It’s just a reality of successful publishing. Here’s a REALLY great vid you should watch from Simon Sinek who explains that “People don’t buy what you do, they buy why you do it.” It’s a good place to start when creating your marketing strategy.

So what are you working on now? I see the Lily Singer books are due for release in April next year, and a novel in the works too.

This month I’m polishing up Book 2 while Book 1 is with my editor. From Jan-May, I’ll be writing Books 3 and 4, and hopefully finishing Book 1 of my urban fantasy series which (fingers crossed) I’ll publish spring 2017. I do hope to get Eye for an Eye published either in an anthology, or self-publish it as a freebie, so definitely head over to lydiasherrer.com/subscribe and sign up for my bi-monthly newsletter list if you’d like to stay up to date on book releases, giveaways, behind-the-scenes juicy stuff and more fun things than I have time to mention here.

Anything you can tell us about the novel at this stage or is it under wraps?

Well, the working title is Orphan Cursed, and it definitely has vampires in it (along with vampire hunters, a telepath, clones, general ass-kicking, and a lot of hard questions with no easy answers). The series revolves around two orphan sisters and has been a way for me to write about and examine the plight of orphans and foster kids in our world (an issue very close to my heart).

OK, last question – and it's a two-part question – what are you reading at the moment and what has been the best book you've read this year?

Currently I’m reading “A Discovery of Witches” by Deb Harkness. I picked it up because a friend compared it to my series. It’s wonderful so far, but has a very different magic system. So far this year, I'd say World War Z (the BOOK not the movie). That book is a spectacular, realistic look at how world societies would react to a global zombie apocalypse. It is intensely riveting, fascinating, and delves deep into human nature and psychology.

We can't argue with World War Z, great book in a really different format - all those diary entries and individual stories from the face of the apocalypse! Lydia Sherrer, many thanks for stopping by the blog. It's been good to talk!

Thank YOU, Leo! It’s been a great pleasure. If anyone would like to know more about me, my books, or what I do, check out lydiasherrer.com. Just click on the subscribe tab and sign up to get updates on publishing and all the free goodies, plus head over to my Facebook page facebook.com/lydiasherrerauthor or my twitter feed @LydiaSherrer to get daily updates. Thanks for reading, guys! You are awesome and I can’t wait to hear from you.

Are you an author who would like to feature in a future Q&A? Drop us a line over at the Inklings Press Twitter here


Thursday 17 December 2015

Star Wars: The Force Awakens. Spoiler FREE review

Guest blogger Ricardo Victoria has seen Star Wars already. Yes, we are letting the hate for him flow through us. Pesky staggered release dates. But here he shares a review of the movie that dodges major spoilers. ONE CAVEAT: The review does discuss briefly Luke Skywalker's role in the movie  so if you want to know absolutely nothing about that, don't scroll down. The review starts after this really rather lovely poster.



One of the apparent perks of living in Mexico, is that we got The Force Awakens as a midnight premiere a few days before the USA, so in true geek fashion I went to the event (it was my first time going to a midnite premiere of anything Star Wars related). Also, as I promised to Stephen and Brent, I would write a review free of spoilers, since they haven't seen the movie but want to be assured that it works. Thus, I ask you kindly to keep this clean of spoilers.

Now, back to the movie. It works. It not only works, but I would dare to say that this is the best Star Wars Movie since The Empire Strikes Back. It is not without faults (I will go on to that later), but it felt like a proper Star Wars movie, even more that the Prequels (full disclosure, I liked the prequels, but I admit they are not very good Star Wars movies). It has the same epicness of the Originals and even just with the screen crawl blew away the prequels. You won't see fancy duels or philosophical debates, this is a proper non-stop (literally) action film in a far, far away galaxy that does a superb job of mixing old and new faces, makes you care about the newcomers and yet, it feels like home made cookies: full of flavor and love.



JJ Abrams has created the ultimate Star Wars fan homage, while keeping it a deserving entry of the saga. Interesting enough, while you can see the shared DNA of the previous movies in this one, you can also see Abrams keeping his own directorial choices and personal freedom. It doesn't feel like a bad parody, but as a homage made by someone that is a good director and a fan. The movie feels unique and familiar at the same time. Oddly enough, there are a couple of visual choices in two scenes that felt more like an Alien film or a Star Trek one, but nothing too jarring. The FX here is a mix between CGI and practical, taking the best of the previous six movies and casting away the jarring efforts of late period Lucas. There are also a couple of really hilarious scenes that help to flesh out, curiously enough, the stormtroopers.

LAST CHANCE TO AVOID ANY DISCUSSION OF LUKE SKYWALKER, 
WHICH IS AFTER THIS PICTURE.



Plot twists? Plenty, including a couple that anyone familiar with writing tropes or the mythos supporting the saga can see coming beforehand or guess with accuracy. Nonetheless, they still hit you in the gut as they should. Thankfully, no cheesy dialogue this time. Harrison Ford must be glad of that. And for those that were worried, the mystery of Luke's absence is solved in the crawl, so sit and relax.

On the downside, the pace of the film is a bit uneven. It's not structured as the classical first act of a trilogy (like A New Hope was, despite being located at the middle of the saga chronologically speaking) and as such it feels like a weird epilogue mixed with a start of a new story. I'm not a fan of the soundtrack, in my opinion it's the weaker part of the movie. It lacks strength and force. And the plot hits some very, very familiar points that made me joke with my friends after it (I won't tell the joke because it would be a spoiler).

By the time the credits were rolling, I ended up yelling that I wanted more. The final scene alone will make you hope that the next one comes fast. All in all, The Force Awakens is a great movie and a superb Star Wars movie. So I will end with this: if you haven't seen it, stop reading this and go to watch it now. If you have already seen it, go again and watch it. Now.

And May the Force be with you. Always.

P.S: It was odd to do not hear the 20th Century Fox fanfare at the start.

In case you are looking for somewhere to discuss Star Wars: The Force Awakens with full spoilers - we've opened up a blog post here that you can make free use of. Want to compare notes with Ricardo on his review? You can catch him on Twitter here.

You can also read Ricardo's fanfic story... What If Vader Survived? ... here

Wednesday 16 December 2015

Self-publishing: Facing one's imperfections



Originally, today's blog post was going to be a review. But a funny thing happened on the way to the keyboard.
The book I was going to review I won't name. You see, recently, during my free weekend promotion for my book Quartet, I did a bit of tweet sharing for other authors whose books were free at the time, and the book I was going to review was one of those I shared and downloaded myself to have a read.
And it wasn't very good. More than that, it wasn't very good for very specific reasons - and the more I found myself reflecting on those reasons, the more I found myself considering which of those reasons applied to my own book.
Let's take it from the top - the book up for review had a plain black cover with the title simply typed and centred in white Times New Roman about 1/4 of the way down the page, with an ellipsis... before adding "and other horrors". Then a couple of returns and the author's name. It did absolutely nothing to catch the eye.
Then, upon reading the book, the stories appeared to have never been edited, lacking impetus, drive, conflict, and any real reason to engage with them. They rambled on from beginning to end in the fashion of never having had a rewrite let alone an editor's pen cross their path.
And lastly, there was no real theme binding things together, no relationship between the stories.
In truth, the presentation, production and writing quality would have meant a one-star review - for a book that had no reviews posted, so I haven't added one to Amazon as yet. It feels harsh to do so. I may share some advice on Twitter, if I get the sense it would be welcomed.
That's when my thoughts turned to the lessons that I could learn for my own book.
Editing eyes have passed over my work, and changes made accordingly before publication, so I'm reasonably confident there, and there have been approving comments from readers, for which I'm thankful.
But in my weekend of giveaways, two things did seem clear to me. Firstly, the cover as it stands needs to go. When I first published Quartet, it was the first time that I'd tried publishing anything to Amazon - it was essentially my test run, my learning curve, making sure I understood the process before repeating it on behalf of other writers. And so the cover was simply what was there from before, when I had it as a test run on building an ebook to begin with. It deserves better, and so a new cover is in the works.
It's also fair to say that while there are connections in my head between the different stories in Quartet, that relationship might be less clear to the reader, and so the new edition (which readers who have paid for it already will get updated automatically) will also include some support material in which I explain why I wrote each story, and what they mean to me.
It will take a little while to put together, but Quartet deserves better than perhaps I gave it in the first instance. And for that, I have an author to thank who did things wrong, and reminded me that I need to put things right.

You can follow Leo McBride on Twitter here

The Star Wars discussion... where you can discuss it WITH SPOILERS.



Around the world, people are starting to watch Star Wars: The Force Awakens. I know a fair few people will be bursting to talk about it - but hesitant to do so because they don't want to spoil it for other people.

So here, I open up a page of the blog for friends to dive into and chat about it safe in the knowledge that they are talking about it only with others who have already seen the movie - and those that have not seen it will be fully warned ahead of time before the discussion takes place.

As for me, I don't see it until Friday, so I'll join in any discussion then. Until then, the comments space is all yours. Enjoy!

Monday 14 December 2015

Star Wars: Was R2 a secret agent of Darth Vader? Let's investigate...

Brent A Harris stops by the blog with a spot of Star Wars speculation - asking whether that innocent little robot was really as innocent as he seemed...



R2-D2 is my favorite Star Wars character. But, while watching The Empire Strikes Back recently, a realization hit me, and suddenly my fundamental understanding of my favorite character was questioned in a way that led me to discover a horrible truth: R2 is not who we think he is. It was a first step into a larger theory that had me question all of R2’s actions in the original trilogy. And upon examination, I’ve discovered something that I can’t unsee—that I don’t want to be true—it’s impossible. But, search your feelings, and ask yourself: who programmed R2, just before the droid fell into the hands of those who began the Rebellion? I love R2, but the inescapable truth is that all during the original trilogy, R2 is serving Darth Vader.

It is with a heavy heart that this article shows that R2 received all of his later programming and upgrades from Anakin Skywalker, and as a result, R2 serves Darth Vader. Even in a galaxy such as Star Wars, droids can only act on programming they receive. Thus, during the original trilogy, R2 is an active double agent within the rebel alliance because of his programming by Anakin Skywalker.


R2D2 can fly when he wants... but only in the prequels. A suspicious secret to keep...

Somehow, R2 can fly in episodes II and III, but not in any other film, so we immediately know that R2 is full of surprises—there is more to the little droid than we can see. During Episode 3 onboard Grievous’ ship, where the chancellor is being held, it is revealed that R2 has received multiple upgrades and programming from Anakin. We also see R2 in Anakin’s Starfighter at the beginning of the movie; indeed, R2 is constantly by Anakin’s side throughout the film. Anakin has taken to R2 and defends him saying, “No loose wire jokes… he’s trying.” This means we can deduce several facts: R2 is Anakin’s droid. R2 has been programmed by Anakin to serve as his droid. R2 serves Anakin to the best of R2’s ability.


Don't shoot that droid, you fool, don't you know how long it took me to build it?

Recall that C3P0 was also built by Anakin and he is protective of his droids, even after his transformation to Sith Lord, as evidenced by the scene in Empire, where Vader saves C3P0 from Boba Fett. And, while it is possible that ol’ Goldenrod is also a double agent for the Empire, there is no overt evidence to support that claim, while plenty of evidence suggests R2 continued to serve his master during the original trilogy.


Agent R2D2 secures the stolen plans. Another job well done. 

As the Tantive IV comes under fire in A New Hope, one wonders how the Empire tracked the stolen plans to the Death Star to a diplomatic ship. This is left unanswered, which offers us room for speculation. Could there have been a double agent onboard who signaled Darth Vader? We don’t know for sure, but here is what we do know: R2 manages to get the plans to the Death Star from Princess Leia. In doing so, R2 learns that Obi-Wan Kenobi is on the planet below. Sometime between learning this information, and escaping in the pod, R2’s mission changes. As the Death Star plans are now recovered, R2 is tasked with finding Obi-Wan—and if the Imperials find the droids they are looking for, they’ll find the fugitive Jedi. This is further reinforced by the escape pod; why else was such a flimsy excuse provided to not fire on every escaping craft? They must have been ordered to not fire on any pod that held no life-forms. Therefore, it is reasonable to conclude that R2 was the acting mole inside the Tantive IV who informed the Empire of the whereabouts to the stolen Death Star plans.

R2 successfully finds Obi-wan, and they all make their way to the Death Star. Everything is going to plan. But why, do you ask, does R2 save the gang in the trash compacter? This is because, in the control room with C3PO, R2 receives new orders, which is confirmed by Moff Tarkin as Darth Vader’s idea: Let the ship escape with a tracking device (R2) to find the rebel base. This required the assistance of at least, Han, which meant R2 had to shut off the trash compactor and aid in the rebel escape. This escape happens after Obi-Wan’s death, which would not have been possible without R2’s help. What makes R2’s actions even more apparent is when Luke targets the Death Star. R2 couldn’t stop Luke from destroying the Death Star because he turned off his targeting computer and fired manually—if he hadn’t, R2 could have easily made the shot miss.


Hush your beeping, R2-D2, we're trying to work out who is sending a signal to the Empire. 

In Empire, R2’s status as a double agent is even more firmly established. If you will recall, Hoth was not the first outpost used by the fleeing rebel fleet. The Empire kept finding the rebels, which they hadn’t been able to do at all during the first movie. This more than likely means that R2 had not been to the rebel base before Empire. But once he was embedded with the rebels, it was only a matter of time before the Empire found them—time and time again. R2 must be signaling the Empire. This is even shown on Hoth. While under the guise of locating Luke, R2 broadcasts the location of the rebel base. This suggests that there was cooperation between the probe droids and R2, as the galaxy, and even planets, are large places that would need to be narrowed down and/or confirmed before launching a massive ground assault.

This would also suggest why the hyperdrive on the Millennium Falcon kept malfunctioning. R2 is behind the sabotage. But why, do you ask, did R2 fix the hyperdrive on the Millennium Falcon at the end of Empire? He didn’t, not at first. In the encounter between Darth Vader and Luke, Luke tried to kill himself rather than let himself fall into the hands of the Emperor. As a side note, Darth Vader must have a means to directly communicate to R2 in his suit, much like Tony Stark has access to his technology via Jarvis. Thus, Vader signaled to R2, and the Falcon was allowed to escape, rather than risking the life of the Emperor’s prize. This is evidenced by Vader turning and marching away, rather than dealing with an Admiral’s incompetence by Vader’s usual means.

Finally, in Return of the Jedi, R2’s status as an agent of Darth Vader, nearly gets the entire rebel movement destroyed. Obviously, something on Dagobah prevented R2 from signaling the Empire of Yoda’s whereabouts, as evidenced by the useless ‘navigation sensors’ onboard Luke’s X-Wing. Or, maybe the Empire tried to locate Yoda later, but failed. Nevertheless, after R2 is embedded with the rebels on Endor, his constant communication with Vader keeps the Empire abreast of the Rebel movements and confirms that Luke is on Endor, ready to face Vader. But during the final battle, R2 is unable to open the bunker doors to the shield generator. This is odd, as we have seen R2 work about any imperial system easily over the course of the last three movies and more, if we dip into prequel territory. Suddenly, R2 cannot even open a door, and he must resort to sacrificing himself by getting shot rather than blowing his cover. But by not opening the bunker door, R2 nearly causes the death of the entire rebellion, except that outside forces mitigate his delaying maneuver.


Mission failed... cue dialogue reduced to a chorus of bleeps covering the sound of an infiltration droid swearing. 

In conclusion, we must face the hard reality that our favorite little droid was in fact, an imperial agent. This was because he was programmed by Anakin, who would later turn to the dark side. So, it is not R2’s fault. He was programmed that way and cannot be held accountable for his actions. But nevertheless, his programming meant he had to follow Darth Vader’s orders. He found and brought Obi-wan to imperial justice, he alerted the Empire to the rebel whereabouts, and he attempted to keep the rebels from successfully shutting down the shield generator on Endor. While it breaks my heart to write this, there is new hope that Luke has been able to reprogram the droid and that R2 will once again be my hero in the upcoming Awakening.

Thank you all, for reading.

You can catch up with Brent A Harris on Twitter, where he'll happily argue his case for the littlest secret agent.