Ricardo Victoria is one of several writers featured in the new fantasy anthology Tales From The Tavern, published by Inklings Press. The book is newly available on Amazon, also featuring Brent A. Harris, a California-based writer, Alei Kotdaishura from Mexico - where Ricardo also hails from, Leo McBride, based in The Bahamas, and Matthew Harvey, from the UK. Inklings Press caught up with Ricardo for a Q&A about the project.
Hi, how are you?
Fine,
nursing a cold and a busted knee, falling from the stairs at midnight can really mess with them, especially if they hit the floor like
meteors.
Sounds painful.
Just
a regular day for me. I tend to be accident prone when it comes to my
knees and ankles. That’s why I never made it as varsity basketball
player.
That’s
why you are a writer now?
Something
like that.
Inklings
Press started out as a group of fellow writers encouraging one
another – how did that project help you?
In
more ways than expected. First, it helped me providing an outlet to
get all those stories in my head out. It created a close-knit yet open
group of friends that act as your sounding board, critic, editor and
audience to your writing. They also became the spur and motivation to
finally work hard in my first novel. Also, it made me learn design
basics and dust up my graphic design skills with the whole webpage
and cover design. But most importantly it is a way to prove myself
that it can be done and not just a daydream to keep me busy dealing
with the day job or just therapy to deal with my chronic depression.
You
suffer depression?
Yes.
And I’m not shy to admit it since I consider mental health a real
issue that should have increased awareness. And that’s where my
writing enters, as it started as a therapy when I first got diagnosed
during high school but now has become something more, something else.
Your
group is scattered quite widely around the world – was that a
problem? How did you manage to keep one another on track?
Not really, the wonders of modern communication allow us to send the
messages no matter the time zone so when the other person connects, they can catch up. The only real issues were with Matthew, since he works
the night shift and his work is based in UK, so between that and
the time zone difference, he rarely had time to be online – I don’t
blame him, he needs to sleep and eat too - but we soldiered on. The other
issue was that our main editor got married in the middle of the
process, which delayed it a bit, understandably. And for how we keep
others on track? Basically Brent and I co-share the whip to… well
whip people to get them work. Although lately Brent, who is quite
hyperactive, has taken a more dictatorial role… maybe it is time for a
coup d’etat where I shall rule with an iron fist in a velvet glove…
did I said that out loud?
Yes
you did.
Crap.
Let’s move on.
Agreed.
Does your location play into the kind of fiction you write? Are you
inspired by your surroundings? If not, what has proven to be your
inspiration?
Yes
and no. Local myths and the celebration of the dead in Mexico really
inspire me, as well as the Mexican tendency towards cynic and
laughing about pretty much. It is a colorful mix of horror and
comedy, which considering my major influences might explain my
interest in gothic horror, comedy and science fantasy. But I’m
equally inspired by the travels I have done in my life, be it Japan,
Disneyworld, Paris, Dublin. I also lived for three years in UK, in
the Midlands for my PhD, so I have the opportunity to travel around
UK a lot and the experiences that I had there plus the friends I was
so lucky to meet there have informed much of the plot structure and
planning on the novels I’m working on right now.
I’m also inspired by comics, videogames and whatever I tend to dream about, which is very lucid so there is that.
You
mentioned other influences, such as videogames and dreams, do you
want to tell us more?
That’s
what this interview is, isn’t it? In terms of literature, my main
influences are Sir Terry Prattchet, Lovecraft, a bit of Asimov and
G.R.R. Martin, Celtic, Mexican, Japanese and Native American
mythology and World History. As for the others, I feel inspired by
Final Fantasy 6 & 8, Secret of Mana (all JRPGs [Japanese Roleplaying Games - Ed]), and superhero
comics such as Green Arrow, Iron Man, Nextwave and Batman. And JK
Rowling is a role model of sorts for me as writer, in terms of how
she developed and trusted her ideas and how she managed her brand.
Those
are a lot of influences.
Apparently
and according to my therapist, I also have ADHD, so I need to keep busy and the easiest way is reading as much as possible.
What
are you reading right now?
Abomination by Gary Whitta and The Martian by Andy Weir.
Abomination by Gary Whitta and The Martian by Andy Weir.
How
long have you been writing fiction, and what gave you the impetus to
become a published writer?
I
think since I learned to write. My mom still has some of those
earlier, innocent stories with puppies. But since high school I have
this need to write, to create worlds, or better said world as in the
case of my novel Tempest Blade that I hope someday expands not only
in a series of books and RPGs. And this need requires a lot of
effort, so to honor that effort, I had to get these ideas out so
others can read them, comment them and hopefully like and share them.
It transformed from therapy to this need to leave a legacy for my,
for my family, for my future children. My dream is to have a book
with my name on the cover and share this wonderful world I have
in my mind and that I visit in my free time.
What
do you most enjoy about your own work?
Tough
question, since I’m my worst critic. Maybe that’s why it has
taken my so many years to seriously start Tempest Blades after going
through several iterations, so many that Stephen probably hates them
by now. I don’t like my stories to sound cheesy or forced. They
have to feel real. But what I enjoy the most is the worldbuilding,
the character developing and trying to come with clever quips. It is
a fun process inside my head since the characters have taken life by
themselves and now I tend to have discussions with them in politics,
history and science.
What
are you most trying to convey in your story?
First,
I would like to write the kind of stories I would like to read. To
share this sense of wonder, fun, sometimes fear, sometime love,
discovery and epicness that I felt when I was younger watching
cartoons and anime, reading fantasy books. I want to recapture that
joy of live that makes you get up no matter how hard you get knocked
down and face that giant monster no matter the odds while joking
away. That’s what I’m doing in my novel and that is what I did
with Silver Horn, which was a micro-experiment in that regard,
mainly written for a local contest, and in its original version –in
Spanish - got blessed with winning first prize in that contest, which
to be honest was unexpected, since one of my best friends since
high school was participating and he is by far a more accomplished
writer with a couple of awards in his belt. Maybe that explains our
current rivalry. Silver Horn is probably my only story so far that I
can read again and smile without being overtly critical. And ended
being canon in my Tempest Blade setting, since Fraog, the protagonist
of Silver Horn, is now the dad of my main character.
From
the other stories in the publication, which one most attracted you,
and why?
It
would be unfair to pick just one as all of them are great stories and
all the authors are my friends, so it is tricky to choose one or another. But if I have to pick one I would say that Bear Trap Grave by
Brent. At first I admit I had hard time reading it, but after it got
finished I enjoyed it as much. It reminded me a lot of the maudlin
atmosphere in the stories by Fenimore Cooper and Algernon Blackwood
and for some reason that kind of stories with society outliers tend
to get me emotionally when and if they are well written.
This
is the first publication for Inklings Press. What future plans are
there?
First,
get the word around on Tales from the Tavern, as it is a project I
believe in and want to be as successful as possible. Second, we are
working on a Mystery/Horror anthology aimed to be out by
Halloween/Day of the Death, so I’m gonna flex my muscles with a
Lovecraftian story inspired by the Day of Death and the mystic lore
of the northern desert of Mexico. That story has a funny history
behind it, which is a topic for another day. On the other hand, the cover
is already designed and is using a photo I took, which means I will
become as well a published photographer. Third, try to finish the
first draft of Tempest Blade so I can annoy Stephen and Brent with
revisions and then aim for publishing and work of the sequel and some
other short stories I have in mind.
Thank
you for your time.
Not a problem. Now I need to go and find something to eat. Being creative makes me hungry.
Tales From The Tavern, featuring stories by Leo McBride, Brent A. Harris, Alei Kotdaishura, Matthew Harvey and Ricardo Victoria, is available on Amazon here.
To find out more about Inklings Press, visit http://www.inklingspress.com/
Not a problem. Now I need to go and find something to eat. Being creative makes me hungry.
Tales From The Tavern, featuring stories by Leo McBride, Brent A. Harris, Alei Kotdaishura, Matthew Harvey and Ricardo Victoria, is available on Amazon here.
To find out more about Inklings Press, visit http://www.inklingspress.com/
He sounds like an smug asshole. I will punch him in the face next time I see it *looks into mirror* Aww crap *punches mirror* Double crap. :P
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