Saturday 30 January 2016

Decisions, decisions... the process of deciding what story goes where in an anthology

With Inklings Press approaching publication of its next anthology, one of the editing team, Leo McBride, discusses his thinking with regards to where each story in an anthology should be placed. 


I love short story collections. Be they from a single author or a selection, there's nothing quite like a good anthology. The range of ideas that sparkle within the pages, the different approaches to stories, the ways in which they can just make you think - launching you off in a thousand different directions.
A crucial component, however, is how the stories are arranged. Sometimes I've picked up anthologies and it's taken a few stories before they've gotten into their stride. You find yourself wondering why wasn't that story first, or why are those two stories with a similar theme rubbing noses with one another. You sometimes wonder if readers get past the first story at all and miss out on the treasures further in.
We're closing in on the launch of Tales From The Universe - the third anthology from Inklings Press. And shortly we'll be breaking out the post-it notes with scribbled titles on and shuffling them around the table to figure out which story should go where.
Advice from elsewhere says that in an anthology of different writers, you put the biggest name first and the second biggest name at the end. We're an anthology of new and upcoming writers, so we're all fairly fresh names to readers, so let's rethink that.
The best story first, the second best at the end, says another blogger. Well, that's a mixed bag. Absolutely, you want the first story in the anthology to draw the reader in. In our first anthology, Tales From The Tavern, The Bear-Trap Grave by Brent A Harris did that brilliantly. There was a somber mood, a pair of great characters and a perilous task ahead. I hope my own story, The Chickcharney, got things going nicely in Tales From The Mists.
But it's not as simple as saying best first. More crucially, I think it's the story that sets the tone for the anthology as a whole first. That can be a tricky choice, especially with the diversity and range of stories on offer. Still, easy choices are no fun.
At the end, you want to end your anthology with a punch in the air, a ringing finale that leaves the reader closing the book with satisfaction. I already know whose story I want to close out the next anthology... but it's early yet, and those post-its still have to be shuffled.
In between the opening and closing notes comes the melody, the high vs the low, the happy vs the sad, the comedy vs the tragedy. Varying the tone of stories between is the tricky part, making sure the tone never runs the same for too long. It's no easy process, but you want to help every story shine in its own right.
How successful will we be? You can find out when Tales From The Universe goes on sale. More details on that coming soon...

You can follow Inklings Press on Twitter at @InklingsPress.

Thursday 28 January 2016

Quartet: Why a new edition?



Author Leo McBride sits down with Inklings Press to discuss the reasons behind his creation of a new edition of his fantasy anthology Quartet. 

So hi, Leo, and congratulations on the new, revised edition of Quartet - what made you decide to revamp the book?

Hi there. Well, I made the decision a little while back. I had picked up a book by someone else and, as I mentioned in another blog post here, there were a number of things wrong with that book and its formatting that made me just feel uneasy. And it made me feel uneasy because it made me think that some of the same things I regarded as flaws with that book were things that could just as easily be said about my own.

What kind of things?

For starters, the cover. When Quartet was first published, in part it was put in print to test out the process of publishing to Amazon. I was in the middle of helping to put together the first publication for Inklings Press at the time too and Quartet helped me test out that process before having to do it on behalf of someone else - several someones in fact with the first Inklings title featuring five authors. So the cover at the time wasn't as carefully put together as it might have been and on reflection, it didn't speak to the contents properly at all.


It didn't look like it had content that was of a fantasy nature, so i don't think it was destined to draw people in who might be looking for the kind of stories it contained. So, I sat down and redesigned the cover, as well as adding some extra content. I added a couple of short author notes after each story to try to explain where in my head the inspiration for the stories came from, and rounded it off with a Q&A discussing why the stories were picked.

And you're trying it out at a new price?

Yes, originally it was 2.99 - take your pick of dollars or pounds depending on which Amazon you use - or the equivalent in other countries. But it is only four stories, so I thought I'd bring the price down. More than anything, Quartet is an introduction to my writing - and I want it to be at a price where people think sure, I'll have a look, rather than being put off by paying more. Will it stay at the lower price forever? I'm not sure, we'll see how it does.



You say there's new content - does that mean changes to the actual stories?

No, the stories are exactly the same, word for word. The extra content, including a new introduction, is everything around the stories, to frame them and to just show a little extra care for the book, to right some of the wrongs from its first publication. Make no mistake, I'm still proud of that first publication - it's just a simple matter of having learned some things about the publishing process and wanting to improve Quartet based on what I've learned.

So what next? 

Well, I have a story coming up in the next Inklings publication, Tales From The Universe, and I also plan to have another anthology of my own out later this year. Beyond that, my main goal is to finish a novel this year. I've got two simmering away, and want to finish at least one of them.

Any hints as to what they are?

I'll do better than hint, I'll give you the first chapter of Fresh Blood that I recorded.




Excellent, that'll keep you busy! Last question for now, what are you reading at the moment? 

Home World by Bonnie Milani - smashing sci fi story that simmers with old school elegance. Reminds me of my days playing the Traveller roleplaying game. Review to come!

Quartet is available on Amazon here: myBook.to/Quartet2

Wednesday 27 January 2016

Who is your favourite character you've created? A Twitter round-robin.

Inklings Press had a quick round-robin quiz this week - starting with a simple question: "Who is your favourite character you've created - and why?" Here are the responses. 































Got any more? Join in on the comments below or catch us on Twitter in the #inklingschat tag.

Oh, and extras following the publication of this post being added below here too:


Monday 25 January 2016

NOW AVAILABLE: Quartet second edition by Leo McBride


Now available on Amazon is the second edition of my fantasy anthology Quartet.

With a new introduction, author notes on each of the stories, a new cover and a Q&A with me discussing the anthology, it is also down in price right now to just 99c in the US or 99p in the UK. Elsewhere in the world, it has a price drop too.

Described as "a great read" by "an author that has fantastic potential", it contains four stories dipping their toe into the world of fantasy - sometimes in the modern world, sometimes not.

You can buy Quartet here: myBook.to/Quartet 

Readers who have previously purchased Quartet can update to the latest edition by simply re-downloading the book. It may take a little while for Amazon to finish rolling out the new edition to each of the stores, so if your edition doesn't update right away, let me know by all means so I can check any problems for you. You can contact me on Twitter where my handle is @chippychatty.

Saturday 23 January 2016

PODCAST REVIEW: After Serial

Article previously published in The Tribune's Weekend section on January 22



LAST week, we looked at the return of the Serial podcast – whose popularity has seen it burst beyond the boundaries of the podcast world and feature on news shows and even hook up with a film company for its new series.
The first series left matters unresolved, however. It told the real-life story of the murder of Baltimore student Hae Min Lee, for which her boyfriend, Adnan Syed, was convicted and sent to jail. The Serial podcast picked away at the evidence in the case, pointing out flaws in the investigation. But at the end of the series... Adnan was still in jail, and there were no definite answers.

Undisclosed

Undisclosed picks up where Serial left off. It's different from Serial – it's not connected and it doesn't have the same measured pace that gave Serial such a fascinating impetus. Rather, this is a podcast by three lawyers examining the same case, one of which knew Adnan in his younger years.
For those wanting to further their knowledge of the case, there is more to be found here... but you're going to have to work for it. The microphones are awful, for starters, making it a strain to listen to – and then once you do figure it out, the podcast hops all over the place, not laying out clearly why pieces of evidence are important, and it becomes something of a swirl. Add to that the fact that this is essentially a group self-identifying as Team Adnan and you quickly see that the evidence isn't being thoroughly examined. If you need to follow the case that launched Serial further, then yes, there is more to be found here. But as a podcast on its own, it lacks the storytelling flair, the objective perspective and gripping nature of Serial.


Sword and Scale

Far more professional is Sword and Scale, which is also a true-crime podcast series. Each podcast explores a case that has appeared before the courts – the two most recent podcasts dealing with the case of so-called Facebook Killer Derek Medina, who shot his wife, Jennifer Alfonso, repeatedly in the kitchen of their home, and then went to social media and posted a message saying “Im going to prison or death sentence for killing my wife”. More than that, he also took a picture of his wife after shooting her and posted that to Facebook too. Unlike the Serial stories, there's no question here of guilt – he absolutely did it, but rather the podcast explores the court process and the detail of what led up to the killing. It's a very hard listen because of the content, but it's a very honest show, also exploring who this man was – bizarrely, also being a writer of self-help books. What emerges is a picture of a narcissist and a control freak. Host Mike Boudet presents an unvarnished, realistic look at the horror of such cases – but also poses thoughtful questions, one other show highlighting what people think needs to be changed in the justice system. A fascinating listen, and heartbreaking in its detail.


Criminal

Lastly, and in the same vein, is Criminal. Another podcast about crime, it says it looks at “stories of people who've done wrong, been wronged, or gotten caught somewhere in the middle”. Phoebe Judge is the host, and an excellent one – very polished in her presentation, and setting up the story clearly and precisely. The shows are fairly short – between 20 and 30 minutes – and so they don't really examine the evidence of the cases featured, rather they delve into the world around the case. For example, the latest show features Michael Ross, the first person to be sentenced to death in Connecticut since 1960. Between 1980 and 1985 , he killed eight girls and women, raping seven of them. The focus is as much however on Martha Elliot, a journalist who followed his case for the better part of 20 years. Ross claimed he wanted to die in order to atone for what he had done, and Elliot spent a long time trying to work out whether his remorse was real or not. Again, this can be a tough listen with the detail of the crimes being revealed, but it does tackle the broader issues, such as the use of the death penalty and the nature of punishment. Ross was executed in 2005. Listening to Elliot talk about him – she even says that she told him that she would miss him and their conversations before his execution – gives a real sense of the human aspects of the situation. It's a brilliant show, well worth listening to and that lingers long in the thoughts afterwards.


Friday 22 January 2016

Dipping my toe into the world of Wattpad

I've only fairly recently become aware of Wattpad - so am experimenting with it as a different avenue for getting my stories out there.

Being so new to it though, I clearly am very amateur about how to do things, so advice is welcomed from fellow Wattpad users with more experience!

You can find my first two stories there below - and I'm planning on using it to create some new, serialised material too.

Feel free to share tips in the comments below or come find me on Wattpad.




When is a typo not a typo? Amazon's reported plans to tackle spelling errors



A story started circulating yesterday that - in one respect - is positive, but has provoked unease from a number of authors.
The Good E Reader reported that Amazon would start to include warning messages if a book contained poor spelling or bad formatting.
First of all, a warning would appear on the store detail page - but if Amazon deemed there to be too many errors or that the formatting made it unreadable, then the listing would be removed.
I've got mixed feelings about this. Let's look at the good first. Not so long ago, I picked up an ebook on Amazon that frankly looked like the creator couldn't be bothered. A poor cover that showed little to no effort, and formatting that did nothing to try and help the reader to navigate their way through the book, with chapters that ran on into one another without any break, some awful punctuation and pretty much everything else you could throw in there to bring a one-star review.
So, with an example such as that, perhaps a bit of a warning - or a blocked listing to push its creator into making a bit more effort for the sake of a readers - might be a good thing, right?
Well, that's the positive. But there's also plenty of negative to stir up concerns for authors.
The book I've finally gotten back to on my Kindle at the moment is the splendid Home World by Bonnie Milani (review to appear in a future post). One of the key things that you quickly pick up on is the use of particular dialect to flesh out her setting. A conversation early on is conducted in a form of pidgin English, which makes the reader work to figure out what the discussion is about, but at the same time immerses them in the world of the story, making it more tangible, making you feel the sweaty reality of the setting.
Equally, I might refer to the works of James Kelman, whose books are written in a ferociously unforgiving Glaswegian dialect that don't come with a helpful guide to translator and which is sure to ring every bell in Amazon's spellchecker.
Chatting with others, people were also concerned about use of idiolect too - such as deliberate errors in spelling by characters that didn't know how to spell the word, deliberate slurring of words for a drunken character or contractions in the vernacular, which is a problem sometimes, innit?
All of these examples - and many, many more in a host of works - are very deliberate choices on the part of the author. A recent science fiction story of my own bristled with words highlighted in red because it mixed different languages as it told the tale of a Romany population exploring space. And science fiction and fantasy in particular is littered with exotic spellings for the fantastic worlds they depict.
So will the automated processes of Amazon give leeway for individual expression? That's one concern.
Further to that, the story also said that readers can flag stories with incorrect spellings, which again can be an issue - for example, if a reader in the UK flags a story with US spelling as a mistake when it really isn't, rather just a different convention. And that also opens up the possibility of abuse - fellow writer Ricardo Victoria pointed out that trolls might use it to make writers' lives a pain as they continually have to deal with false corrections submitted by people just trying to make their lives a misery, and I've seen more than one writer fretting about other writers marking their "competitors" books as having mistakes in some bizarre war of one-upmanship.
In the end, it comes down to implementation. Writers will welcome the opportunity to perfect their book - if they are given the chance to assert their authority over the final product and not have to keep chasing after alerts and complaints that may not be valid. So if warnings are provided with the opportunity to over-rule them, that might not be a bad thing. Might. We'll see.
Lastly, one final note on that book I referred to that could have done with a warning... there already was one. We say not to judge a book by its cover, but you can judge the lack of care put into the presentation of a cover, plus there is already the review system where people can happily express their annoyance at poor spelling and formatting.
Some other sources have questioned how likely it is that Amazon will implement what has been suggested in the article - so we wait to see how things will work out in the end. But clearly, concerns are already stirring.

EDIT: Another blog post casting doubt on some of the elements in the first one linked above is here.

Thursday 21 January 2016

Musings of a sleep-deprived mind on writing science fiction.

Ricardo Victoria guests at the blog to share his thoughts about the science fiction genre - as Inklings Press edges closer to publication of its next anthology, Tales From The Universe. 


I have to say that I have a love-hate relationship with science fiction. I grew up with a steady diet of sci-fi movies as any other 80s child, helped by a father who used to be a trekkie. Thanks to him, I can say that I have watched almost every episode of Star Trek series and the animated series (and yet I’m more of a Star Wars man, who some could argue is more science fantasy). 

One of the first books I bought as a teenager after devouring anything by Lovecraft was I, Robot by Issac Asimov, a book that nowadays barely keeps itself together after many reads. I have read Jurassic Park countless times, despite the fact that Crichton comes across more of a Luddite or a technophobe than an actual science fiction writer. One of my favorite manga artists, Masamune Shirow, of Ghost in the Shell fame, dwells mostly on science fiction. I doodle spaceships in my notebooks admist boring lectures and meetings. Heck, at one point of my life, I undertook two years of chemical engineering with aims of someday joining NASA (you know, childhood dreams where I was a space colonist in the moon) and I understood every single word of Hawking’s books. I have a scientific mind in my head.

And yet for the life of me, I can’t write science fiction. I enjoy the genre, but somehow I can’t muster enough energy to write the genre. Maybe I’m not cynical enough… or I have become way too cynical to write properly about the societal changes that science fiction usually studies. Maybe I prefer my world featuring more aliens and magic than Asimov would like. So when Inklings Press opened the submission for the third anthology with a science fiction bent, my first thought was to skip this one. “I don’t like science fiction,” I told myself, an opinion quickly crushed once I went to see The Force Awakens. 


Then Yoda’s voice whispered that I needed to tackle this challenge to practice, to make me write in a tough genre for me if I even wanted to call myself a writer. It took me a while to find the story I wanted to tell (which by the way is placed in the setting of the science fantasy novel I’m writing at the moment, but situated a few decades later). To do so, I had to walk the clichéd memory lane of this childhood nutrition and find something that inspired me to find a message to say in a short story. And thus it came to my mind this:


The final words of HAL in 2010, the movie. Granted I can barely remember the movie now. But that scene, where Jupiter is being turned into a sun to develop further another species within our solar system moved me so much back then that it made me muse about the wonders we are missing that are out there, in the vastness of the universe. Those lines by Arthur C. Clarke changed a lot of how I see the world and what is expecting us out there if we are brave enough to explore. And as such I found a message to convey in my story. The childish wonder of discovering something awesome out in space, and how it could change your outlook on life. I dunno if I managed to convey that in my story. Damn I don’t even know if it will make the cut. But at least I tried.

And this whole process made me remember as well a book I read by Asimov. Now, I have read many of his books, but this one struck a chord on me. It was a collection of essays of him musing on writing and one of the things that stuck with me was that at the end of the day, science fiction, at least the good one that you remember later despite how poorly is executed, is about discussing ideas, social messages hidden within it. Science Fiction is more than lasers, blasters and phasers, more than intrepid pilots, daring captains drinking tea and sexing their way to Orion, more than time travel*and rogue AIs in cybernetic bodies surfing the web in a post-apocalyptic land. Science Fiction is about reflecting how our worldview changes when new information arrives and exploring the consequences of using such information. Science Fiction is about embracing change and expanding our minds. Even if it ends in a bad joke or in a last question. Because that’s what we humans do: question and reflect. Our communal lives are a big science fiction story yet to unfold.

From that point of view, you realize that science fiction is actually easy to write. Writing good science fiction, well that’s another matter altogether. I don’t know if I managed to do so. If my story makes the cut, I hope you like it. It is actually my first science fiction story. Hopefully won’t be the last. But this challenge has moved me into incorporating a bit more of science into my fantasy and more fantasy into my science. The world is already a cynical place, it could very well use more wonders, even if it’s in the form of the written word.

PS: I’m still pissed off that we don’t have a colony on the Moon. I was expecting to be travelling there on my old age. Get on it, NASA.

*I hate time travel stories**. I just simply hate them. Just a consequence of having a brain wired into the Many-Worlds theory thanks to those early physics readings.

** The only exception to this personal rule is Back to the Future. C’mon, you can’t hate BTTF because is one of the most perfect stories told.

Follow Ricardo Victoria here as he continues to wrestle with the challenges of being a writer 

Wednesday 20 January 2016

7 Lessons Learned by a Submissions Editor


Inklings Press is getting ready to publish its next anthology, Tales From The Universe, and this time we opened the doors to submissions from far and wide. Brent A Harris took on first reading duties as authors sent in their work – and here he explains what he feels he has learned from the process, and what he thinks it has taught him about writing in general, and his own work.

Any ‘Top List of Things you should do’ should be taken with a grain of salt. Writing is subjective. Judging another’s writing is even more subjective-er.

Recently, I was given the opportunity to read through a lorry-load of submissions for Inklings Press’ next anthology, Tales from the Universe. Before we decided on the stories to include, we had to make hard decisions about what to omit. I got to experience what it was like on the other side of the proverbial ‘slush pile'. In the process, I learned more about my own writing. Rather than making a subjective list on things writers should do, here is a list of what I learned while going through so many amazing (and not so amazing) submissions:

7 Lessons Learned




1. There are a lot of writers. Like, a lot. A metric crap-ton. If there is one thing social media and places like Wattpad has shown, most everyone has a story to tell and most everyone wants to tell it. In my opinion, that’s great! You should tell your story. The downside to this, however, is it becomes hard to pick out a voice among the chorus. For example, we only advertised that submissions were open—TWICE. Immediately after that, we had to turn off the spigot, as we were completely flooded with submissions. There are indeed a lot of writers out there and they are all plenty damned good too. I learned I got to step up my game if I want to be a voice heard amongst so many.

2. Flash Fiction.
I learned the difference between flash fiction and a short story. It seems obvious now, but I just didn’t think about it. To me, it’s not just the word count that matters, no matter how long or short a story is, it’s whether or not that story can resonate with the reader. Too often, flash fiction feels slight, as if brevity is an excuse for a twist ending, rather than an emotional one. Always, I’ve learned, go with emotion.

3. Propel us into your World.
I’m talking about introductions, opening pages, or paragraphs that explain the setting – rather than letting us experience your world as the story unfolds. I think this is an important lesson learned, as I don’t think we, as writers, are aware we do it. I certainly don’t think I’m as guilty of this, until someone holds up a mirror and goes, ‘really?’ Even if we bypass the five-pages-of-world-building-until-we-finally-reach-the-story mistake that so many of us authors make, we can still fall victim to stopping our story mid-action, to bust out a wall-o-text to explain something that doesn’t actually need explaining, when really we just need to introduce our world and all of its magical macguffins organically.

4. Have a Message and Stay on Point: Having a message means writing to stay on target. Don’t delve into a muddled mess of side-thoughts or over-do it in a rambling of pointless pontifications. It’s a step above writing for clarity. Your story should be about something, and at some point—and what I’ve learned through reading—is that it may even be handy to have a character mention, explicitly, what that is. The best example I can think of comes from George RR Martin’s Clash of Kings, when Varys gives Tyrion the riddle of who truly wields power: The Cleric, The King, Or the Sellsword. It’s what Game of Thrones is all about. And it is a masterful reminder that all stories need meaning to exist.

5. Be Engaging.
This is a difficult lesson, one I think many authors, including myself, are still learning as it is subjective by both genre and reader alike. Some genre’s call for narrative distance. Other’s call for more intimacy. When going over submissions, the guidepost I asked myself was, “does the narrative voice help or hinder the story?” and by asking that question, I learned a little about how to measure my own narrative voice more objectively. Again, the pattern that emerges is to err on the side of immediacy and emotion—to focus rather than to broaden the story—in order to increase that connection between the character and the reader. There were many great stories we could not include because their narrative focus was out of sync with the story being told, and thereby lacked engagement.

6. Your Character Should Grow. There are exceptions to every rule and you’ll find one in our next Anthology (in a nice twist where the reader ‘grows’, instead of the main character). But mostly, if your character is flat, your story will be too. Without false modesty, I feel this my biggest strength as a writer, but that is largely because I’ve adopted Pixar’s rules for writing: Write the ending first. If you know where your character ends, it’s easier to see where they need to begin. Or, you can adopt Joseph Campbell’s ‘Hero’s Journey’ as a writing template. In order for your reader to learn about your character, your character needs to learn something about themselves.

7. Keep Submitting. Finally, I learned that you can still do everything right and still not ‘make it.’ We were flooded with awesome authors and solid sci-fi stories. But there was no way to accept them all. Sometimes the decisions made came down to very fine margins – a story might be very similar to another, for example, or there might be a brilliant pearl of an idea at its heart but the story is too short to see it truly shine. Being on both sides of the submission process gave me a newfound respect for how hard it is to be heard. I, for one, have enough rejection slips to wallpaper a small room. But, I’m not going to give up, and neither should anyone who was unfortunate be passed up this time around.
Thank you to all of you who submitted to us for letting us take a look at your work. You writers are wonderful and we can’t wait to read more. And to everyone: be sure to see if we’ve followed these lessons learned when Tales from The Universe releases this February, I have a feeling that this will be our greatest set of stories yet!

Tuesday 19 January 2016

COVER REVEAL: The new cover for Quartet, by Leo McBride


via GIPHY


My short story anthology, Quartet, is getting a second edition. Same stories, extra content - with notes about each story and what inspired me to write them, a new introduction and a Q&A about the stories I chose to feature in the fantasy anthology.

And a new cover.

The anthology will be updated on Amazon during this week - and those who bought it previously should be able to automatically upgrade to the new version. More information on that when it goes live.

But for now... here's the new cover.


Sunday 17 January 2016

When roleplaying crosses over into writing... and when it shouldn't

I was seven years old when I first discovered roleplaying games. My brother came back from The Stamp Shop in Middlesbrough with a blue book he'd picked off their shelves, and my mum and I agreed to play. The blue book was Dungeons & Dragons, the adventure was in the back of the book, and when the main light bulb blew and we had to play the rest of the game by lamplight, the giant spider that emerged from the darkness sealed the deal. I was hooked.



By that age, I was already writing stories. The stories of a seven-year-old scribbler, sure, but stories. And being given a typewriter when I turned eight was the greatest gift I could have. Since then, I've written plenty of stories - and I've played all kinds of games, but the first time the two worlds crossed over was in the story I published in the Tales From The Tavern anthology from Inklings Press. You see, one of the characters there was a character from one of the campaigns I ran.

Rasten was a regular NPC in an old Runequest campaign I ran for more than a decade with friends from university. He was the stoic, reliable back-up, never taking the centre stage, always there to help the players in their time of need. And over the years, I always wanted to know his story, yet in the context of roleplaying games, his story was always the least important of all.

The best roleplaying games are centred around the players. They are the heroes, it should be their story. Which is one of the reasons why great roleplaying campaigns rarely make for great novels. It's seldom that a great book has so many competing central characters vying for attention, all together at the same time as they work through the action. Roleplaying encourages all members of the party to share the action, an ensemble piece. Each player gets the opportunity to tell the story of their character. A novel? Well, each character whose point of view you explore is elevated towards being a main character - and how many stories are you telling? Around the gaming table, each of the players is the master of their character's destiny - on the page, each character's destiny is in the writer's hands. The game may have a plot that involves everyone, but each player is most directly involved with their own character's outcome, their plot within the branching campaign around them. Each player retains that singular focus, the kind of focus a reader gains while working through a novel and connecting to the lead character. If you ask a reader to connect to the whole group, it's going to be hard to give them enough time with each one to satisfy - and even trickier to give each character an arc, a destination, somewhere to go within the story.

And so the best stories, I find, that grow out of games are those that are inspired by them and not a slavish recreation. There are great stories out there without a doubt that sprang from gaming. Steven Erickson's Malazan series draws on his old RPG campaign, while Raymond E Feist's Riftwar cycle and George R R Martin and associates' work on Wild Cards both reflected roleplaying connections - but they are retooled to work in a different medium, for a different audience, taking the core of what worked, the moments that inspired, and incorporating them into a more cohesive whole.

There are other hazards too - those stories you created with dice and paper were collective stories. One of my favourite campaigns was an old Superworld campaign. I keep thinking about turning some of those adventures into a series of short stories - but don't feel right about doing so without the permission of some of the players at the time, though some I've lost touch with. For example, one of the key characters was a young genius run by one particular player, who on reflection turned out to be a great cypher for an introduction to the superpowered world of the game, set in England at a time of rife international paranoia and spying, where the greatest heroes of the land might just be vying against the government at the same time, and where experiments in top secret laboratories tinkered with ways to stop the gifted and ensure the status quo. Should that young genius remain in the world turned into story? A substitute with a similar purpose just doesn't feel right - and more than that, it was the group that made those stories, so I don't feel any right to claim them.

So, back to Rasten. The man in the background. In all the adventures he featured in, I felt an earthy, solid connection to him, I knew what governed him, I knew how he would react. Plucking him out of the RQ world he was born in - a very, very necessary thing to do, by the way, writers, don't try and use other people's worlds as your own - didn't change my feeling of who he was. And so he was propelled into not just A Taste For Battle but as one of the characters in a fantasy novel tinkering around in my brain, The Darkening of Rich Harvest. That one will be a while. But it will come. Rasten will get to tell his story at last.

Stephen Hunt writes under the pen name Leo McBride. You can follow him on Twitter here

Saturday 16 January 2016

PODCAST REVIEW: Serial addiction - the story of Bowe Bergdahl

Originally published in The Tribune's Weekend section on January 15



SERIAL is the podcast that got everyone talking about podcasts. Its first series, a little over a year ago, put the spotlight on the murder of student Hae Min Lee in Baltimore. Week by week, host Sarah Koenig and her team examined different aspects of the case – and it was utterly gripping.Millions of people listened in – tens of millions even – as the team carefully dissected the evidence in the case, the alibi and trial of Adnan Syed who was jailed for the murder, and the possible other people who may have been suspects.
This was a true-life story, of course, and not a made-for-TV tale with neatly rounded off edges and a definite finale. Each episode was intense as listeners weighed what the team had to find and there was a constant ebb-and-flow through the show of did he do it? Didn't he?
Needless to say after being such a success, the show has returned with a second series – with a different subject this time, but rather than a little known case, they have instead picked one of the highest profile cases in the US – that of Bowe Bergdahl.
Sgt Bowe Bergdahl is an American soldier. He was stationed in Afghanistan in 2009 but went missing and was captured by the Taliban, who held him prisoner for five years. Last year, his release was announced by President Obama in exchange for five detainees from Guantanamo Bay. Initially celebrated, his release was however quickly questioned by some members of the military, who claimed he had deserted, and that he put the lives of fellow soldiers at risk who went to search for him. He is now facing court-martial on charges of desertion and misbehaviour before the enemy, charges which were laid against him after the start of the second season of Serial.
Koenig is a very engaging host – and very perceptive. She notes the difference in tones of voice between members of Bergdahl's family, she observes the reactions of various interviewees and that helps to place the investigation in context. Rather than simply reporting the speech and the facts, her side notes let us know for example how rare a charge of misbehaviour before the enemy is, and helps to remind us that there's always more than one side to the story.
This series also sees involvement from Mark Boal, screenwriter of Zero Dark Thirty and The Hurt Locker, whose production company is working separately on a movie.
The second episode of the new series takes that exploration to a new level, as Koenig contacts the Taliban to get their opinion of Bergdahl and of his five years in captivity.
Bergdahl's case became a cause celebre last year – and his name became a political punchbag, with Donald Trump for example suggesting he should have been executed. With his case now proceeding alongside the developing US election campaign, he is sure to reappear in the political spotlight. But Serial is taking a very deliberate, very careful examination of who this soldier is, how he got into a situation where things got out of control – and what blame can really be attached to him. It's a fascinating listen – and it's only four episodes in.
As of this week, the podcast moves to a bi-weekly schedule. Serial producer Julie Snyder told The New York Times that the bi-weekly schedule became necessary after more people came forward to talk, opening up "more avenues of reporting".

Friday 15 January 2016

Q&A with Jason J Nugent, author of Almost Average

With his first book, Almost Average, published today, Inklings Press welcomes Jason J Nugent to the blog for a chat – and to wish him good luck on launch day!



Hi Jason, thanks for taking the time – I suspect you're very busy finalising everything about the book and getting ready to tell the world! First thing first, then, tell us about the book – and why our readers ought to be dashing out to buy it.

Thanks so much for this opportunity! My book is a collection of 16 short stories with fantasy, horror, or sci-fi elements. Most were originally published on my blog from October 2014 through November 2015. I grabbed hold of them, roughed them up, forced them into submission, and created cleaner, leaner stories. I added two exclusive unreleased pieces to round out the anthology offering something new for my readers.

How are you publishing? Is it the self-publishing route or have you been picked up by a publisher? What made you choose the path you're taking and what were the particular benefits and difficulties for that route?

I’m self-publishing the anthology. I thought about shopping it around but chose to self-publish for a couple reasons. I wanted to go through the process and figure out what it was like. I enjoy new experiences and so many writers have self-published I figured I could try it out and see what it was all about. Through the process, I learned how to format the books and I created the cover myself. I don’t like self-published books that are hurried and look like it inside and out. I feel the time I spent on the finer details made the final product well worth releasing to the wild. The other reason I chose to self-publish is because I wanted to release something sooner rather than later. I wanted to get my work out there and suffer at the hands of reviewers quicker than if I’d decided to go the traditional route.



You've written three novels as well, I understand – are they eagerly lining up for publication too? What plans do you have for those?

Actually that number has grown to four. I’ve not revised them and edited them to my satisfaction yet. I plan on shopping a couple around and possibly releasing one on my own later this year. At least that’s the plan for now.

Almost Average is a collection of stories – and collections tend to showcase a variety of influences. What would you say are your influences for your writing?

I’m highly influenced by Stephen King’s work. I’ve read his books since I was a teenager. I’m also influenced by Robert Jordan, John Scalzi, and Brandon Sanderson. I’m a huge fan of “good-vs-evil” stories. Then again I like to turn that on its head and let evil win. Because sometimes in life it does.

From writing through to publication, what would you say is the part of the process you enjoyed the most, and what was the most difficult?

The original story creation, putting words down on a screen or paper is the most thrilling for me. I get wrapped up in my characters and setting so much I can see it in my head or hear the voices as if they’re real. When I get in that zone I can write for hours. At first the revision process was tedious for me. With this book, I learned to appreciate revision. Now I enjoy how much better my writing is when I put in serious editing effort. I think it will show in the anthology.

Over on your blog, you have a very honest post about receiving rejections. You say how writing is like running – you can't go out and run a marathon without training, and that you've been putting in that training with your writing, learning your failings and working to become a better writer. That kind of self-reflection can be very hard to do but very necessary, what would you say you're doing differently in your writing or in your approach to it in order to improve your writing?

I take more time preparing before I write and I’ve discovered my tendencies. Most first drafts of mine are passive and contain jumbled sentence structure. I can identify those easier now and correct them faster than when I started. I’m also more aware of point of view, something I disregarded in the past. I learned through rejection that I had the ability but with more work on my craft, I could make it something special.

Like a great many of us, you mix writing with family life and a day job – do you have a set routine that you stick to for your writing or fit it in where you can?

I don’t have a set schedule for writing, though I tend to write in the mornings. I get up way too darn early for no good reason. After a cup of coffee, the cobwebs are knocked off and I’m ready to go. I can get a good hour or so of writing before anyone else wakes up.

What would you say is the best advice you've received with regards to writing – including how to reach out to readers?

Be yourself. Don’t try to act like or sound like or be like anyone else. Like any other person, I have a unique life experience and my interpretation of that is what makes me…me. Stay true to that, no matter what it is, and it will come through in your writing. I’ve stayed active on social media, particularly Twitter and Google+. I enjoy interacting with other writers and the readers of my work. I’ve also been fortunate to have wonderful advocates for my writing (I’m looking at you, Sam Bell and Aaron Hamilton!)

Lastly, we always round out by asking two things – first, what are you reading at the moment, and secondly, what's the book you've most enjoyed reading in the past year?

My latest blog post talked about this very thing! Right now I’m reading “Seven-X: The Seed of Demons” by Mike Wech. I’d say the book I enjoyed the most this past year was “Fluency” by Jennifer Foehner Wells. It’s a fun space drama that’s fast paced and easy to lose yourself in.

Fluency is on the to-read list here at the blog after reading her story in the Dark Beyond The Stars anthology! May have to move that up the list! Jason Nugent, many thanks – and all the best for your book launch!


Almost Average is now available. iBooks:  Amazon:  Nook:
You can also find Jason on his blog here, on Twitter here  or on Google+ here.

UPDATE: Jason has since released a second anthology, Moments of Darkness. You can read my review of that book here. And we should probably invite him back for another chat soon!

Q&A with Tales From The Tavern author Matthew Harvey

Inklings Press has a chat with author Matthew Harvey, who made his publishing debut with his story Battle At Veldhaven in our anthology Tales From The Tavern. 



Hi Matthew, and good to catch up with you. Inklings Press started out as a group of fellow writers encouraging one another – how did that project help you?

I've been writing short fiction, mostly for my own amusement, for a few years now. The group was a good cheering section; everyone was eager for everyone else to push themselves to write more and better things. Then, stepping up to e-publish as a group spread the load, and gave me more confidence than if I'd been considering a short collection of my own work. Without the group pushing that together, I don't think I would have had the nerve!

Your group is scattered quite widely around the world – was that a problem? How did you manage to keep one another on track?

The group is scattered, but the internet knows no borders. Time zones were a little more of an issue, where some people might just be finishing work as others were crawling into bed. But internet chat offers a lot of freedom. An encouraging message here and there (occasionally a firmer prod) kept everyone moving toward the deadline and got us to market.



Does your location play into the kind of fiction you write? Are you inspired by your surroundings? If not, what has proven to be your inspiration?

A lot of my inspiration comes from the wide and varied collection of fiction I've read myself. Not all of it is in novel format, which I think was mentioned in my bio. I've been an active member of a roleplay gaming group for longer than I've been writing, and there is a lot of imagination there to be tapped. At some point the world of Tyriell, Theng and Duen may be a game in its own right... if I can work out how to make it work.

How long have you been writing fiction, and what gave you the impetus to become a published writer?

I've been writing fiction for I think five years. I've never been utterly convinced if its any good (my inner editor at work) but when the idea for the Inklings Anthology was pitched, I knew it was a golden opportunity to put up or shut up. It's a baby step, I admit, but now I can work towards more and more grand projects.

What we really enjoyed about Veldhaven was the way in which certain characters grow - we won't say which for those readers who haven't tried the story yet. But what do you most enjoy about your own work?

I like the chance to explore a world of my own creation. Veldhaven won't win any awards for originality, but the world came to life for me more and more as I wrote. There's an enthusiasm that comes from that kind of mental exploration that leaves me wanting to write more and expand the boundaries of what started off as a short and simple story and make it something grand.

What are you most trying to convey in your story?

I don't think I was trying for any great emotional aspect or concept. I was just trying to write an adventure. Great writers make it look easy, but finding the right words to get anything down is actually very hard. Maybe in a future work I might try for a more driven story, but not just yet.

From the other stories in the publication, which one most attracted you, and why?

I think the Bear-Trap Grave pulls most strongly on me (by Brent A. Harris). It's the one where I empathised most with the protagonist, something I think fiction needs. It's something I'm certainly trying to work on with my own.

This is the first publication for Inklings Press. What future plans are there?

Bigger and better things. I know there will be more anthologies; the plan is to explore different genres and see what kinds of things people have most fun writing. After that, Who knows. Maybe one of the Inklings will take the literary world by storm!

Matthew, many thanks!

Tales From The Tavern is available on Amazon here. You can follow Matthew on Twitter here

Thursday 7 January 2016

FREE STORY: Pyramid Scheme by DM Gillis

I am delighted to welcome dm gillis as a guest. Here, he presents a free short story, complete with swearing that would make Samuel L Jackson proud. It starts in a coffeehouse, so grab your cup, settle down and enjoy...



The Pyramid Scheme

by dm gillis

Asher was anemic, just a kid with dry lips and dark rings round his muddy eyes. He’d been following me around for days, and had finally cornered me on the patio of a coffeehouse on Hornby Street. That was where it all began. And now that I’m in on the joke, I don’t think the punchline could have been any different.
It was hard times when we met. I’d wagered myself into a corner, doing what all high stakes gamblers on a streak do, eventually – I’d crashed. Now there was only enough money in my pocket for a latte and a slice of chocolate cake, with a little left over.
Asher was a ghost, by the way. He told me he’d died when he was twelve, seventy-two years ago, 1943. But he’d never made it to the other side, whatever that meant. He’d been following people round ever since. I was his latest fixation. Sure, I’d tried to shake him, but he was a tenacious little shit.
First I got sick,” he’d said, sitting across from me at my patio table. “I puked for a week, and my mamma was real worried, and the doctor came into my room and he was worried, too. I was trying real hard to hang on because of the war. Back then everybody was dying. My brother died in the Atlantic. I didn’t want to break my mamma’s heart, but I died all the same. When the moment came, I sort of stepped out of my body, and I saw myself there, on the bed with my eyes half open. The doctor shook his head, and my mamma cried, and I just walked away.”
Asher was pretty convincing as a ghost, being a little less than solid, and a little more than transparent. Bugs flew right through him, and there he sat barefooted in the grimy pajamas he’d died in. What else could he be?
Who can see you?” I nodded to the surrounding patrons. “Any of them?”
No,” Asher said. “Just you.”
I spoke to him with my deactivated iPhone to my ear, to keep from looking like I was talking to an imaginary friend.
Just me, why?”
Because I like you.”
But why aren’t you in Heaven, or Valhalla or some shit?”
Ralph says there ain’t no Heaven.”
Who’s Ralph?”
Asher pointed across the street, at an unkempt crowd of semitransparent individuals, some with serious body traumas, others just pale and hopeless. I looked way, and took a gulp of coffee and a king size bite of cake.
That’s very disturbing, Asher,” I said. “Please don’t show me shit like that.”
He shrugged. “Ralph is the one in the fancy suit with a hole in his head,” he said.
I risked another look, and saw a grinning man wearing a tuxedo. He waved. There was a bloody hole in his head. It had to be Ralph.
What the hell does Ralph know about Heaven?” I said.
He knows a lot of stuff.”
Such as?”
He knows what horses are gonna win, place and show at Ex Park, and he knows the lottery numbers.”
Horses and lottery numbers; the story was taking on a compelling density. I did some desperate arithmetic.
The lottery numbers,” I said. “Before they’re drawn, you mean? How’s he know that?”
Just does.”
Can he come over?”
He’s kinda scary,” Asher said.
And you aren’t? C’mon, call him over.”
And then there he was, Ralph. Sitting across from me, dressed to the nines, with several spots of blood on his starched white shirt. His gaze was fixed. Clearly he wasn’t using those decomposed eyes to see with. Asher sat next to him.
I love this goddamn kid,” Ralph said, ruffling Asher’s hair. “I knew a dame once, named Flo. She had a kid just like him. Flo did a lot of heroin, see? So the little fella was sort of at loose ends. I took him to see hockey games, and he ran a few errands for me.”
Swell,” I said. We hadn’t even been introduced, and Ralph was telling stories.
You know,” he said, leaning toward me across the table, pointing at my latte, every word a trashcan stinking exhalation, “I’d love to have one of them Italian coffees again. Somethin’ real strong. Somethin’ to straighten out the ol’ gonads.”
He was up close now, his mouth a slack, post rigor mortis sneer. He had a musty smell, and the blood on his forehead was still a little wet.
What’s with the glad rags?” I said.
Pretty sharp, eh?” He pinched the lapels and gave me a toothy yellow grin. His gums had receded considerably. Then he brushed some confetti off of his shoulder and swatted at a bright red streamer. “The Commercial Drive boys got me out back of the Hotel Georgia, New Year’s Eve, 1929. I was out back doin’ a little of the ol’ cocaine, when they came outta nowheres. Caught me flatfooted, and pop, right through the head. Felt like someone’d got me a good one, upside the skull.”
Nice,” I said. I was starting to get a little queasy. Ralph simply oozed quease.
Yeah,” Ralph said. “Life is hard, innit? And then you get iced by the wops, out back of the Hotel Georgia with a cocktail straw up yer nose. Ha! Waddaya gonna do?”
They must have had a reason.”
Oh that,” Ralph said, sitting back and throwing up his hands. “Let’s just say that some people can’t take a joke. So what if I had a few longshoremen on the payroll, always good for some marketable merchandise here and there. I had a couple of fighters, too, I gotta admit, training outta the Astoria, took the occasional fall. And so what if I was fixing the horses. The suckers lined up for that kinda shit. Vancouver wasn’t much back then, but there was enough to go round – I thought so, anyways.”
I looked across the street again. “What’s with your crowd of followers?”
Them? That’s just a little pyramid scheme of mine.”
What does that mean?”
Ralph spat out a short guffaw, and slapped a knee. “Just a little joke, innit Asher?” He gave the boy a none too gentle punch in the shoulder.
Yeah, Ralph,” Asher smiled, rubbing his arm, “a joke.”
Yeah, sure it is,” Ralph said. “But seriously….” And here Ralph got a little grim, as something brown dribbled out of the corner of his mouth. “What’s this I hear about you wantin’ to play the numbers?”
Asher leaned over, and Ralph met him halfway. The boy whispered into his ear.
See?” said Ralph. “This is why I love this kid. He’s right. I meant the lottery. Jeeze, the more things change…, eh? The government takes it over, and the numbers become the lottery. Same goddamn crooks, different name. Now it’s all contractual agreements, church on Sunday and expensive aftershave. I can’t keep up.”
What about them, then?” I pointed across the street again. “I still wanna know.” The gruesome troop watched us like dogs waiting for a bone.
We just sorta wander round together, nothin’ better to do. I lead the way. I’m kind of a guide. Hell, they don’t know where they’re goin’. Most of them’re still suffering from the same shit they were suffering from when they were alive – broken hearts, bad decisions, unresolved tribulations, that kinda crap. They brought it all with ‘em to the grave, just can’t let it go.”
I’m sorry, I don’t understand.”
Of course you don’t, and it don’t matter, neither. Now tell me, do you want help with the numbers, or not?”
The numbers. My foot started tapping. I had debts, I couldn’t pay. Now this spook was offering me a chance to cash-in, maybe big time. It was too implausible. It was a hallucination. But what could it hurt to play along?
Ralph’s musty smell was getting worse.
Tomorrow’s Lotto Extreme is worth $25 million,” I said.
That’s a tidy sum,” Ralph said, “a tidy sum. It’d clear up some of those gamblin’ debts. Oh man, it’d clear ‘em up with plenty of change left over.”
What gambling debts? What do you know about my gambling debts?”
Detroit versus Montreal, the other day,” Ralph said, suddenly refined and wise, despite the congealing drool. “That was your last bad last call, wasn’t it? Plenty before that. You were hot once, but that don’t ever last. You’ve worked your way down through the legit bookies to the bottom feeders, and the bottom feeders don’t use collection agencies, do they. I bet there’s some boys in town right now, looking to cut off one or two of your fingers.”
How would you know?”
Shit, boyo, if I can tell you the lotto numbers, don’t you think I know what’s what with you?”
There was silence now. The street noise had stopped. Ralph and I sat looking at each other like gunfighters. The one who looked away first, lost.
I looked away first.
You’re a risk taker,” Ralph said, taking a slip of crumpled paper out of his pocket. “I appreciate that in a man.” He slid the slip of paper across the table to me. His fingernails were black. “Takes one to know one. I was a risk taker, too. It didn’t work out so well for me, of course. But maybe now I can do you a favour. Maybe it’ll make up for some of my own bad decisions.”
I stared down at the paper. It was folded in two.
Go ahead, kid,” Ralph said. “Go buy a ticket. Use them numbers. After tomorrow’s draw, everything changes.”
Ralph was see-through, but the paper was solid. It slid across the table, caught in a breeze. I slapped my hand down, and caught it.
We’ll talk later,” Ralph said, and vanished.
Yeah,” said Asher, “later.” He smiled then and faded.
It’s hard to be cool standing in line, when you possess the winning lottery numbers for a $25 million jackpot. I was snapping my fingers like Sinatra to a song that wasn’t there. I’d written the numbers down on the chit in a frenzy. I didn’t even know what they were. The draw was the next day at 7:30pm Pacific Time.
Just ahead of me, in line, two old men were discussing the physics of trading on the stock market. It was the usual old fart drivel of lottery line-ups.
I still say Gaussian models are the only way to go,” said the bald one. “It’s definitive.”
Definitive? Was that grammatically correct? Who gave a shit?
And when it doesn’t work,” said the one in the I heart Stephen Harper tee shirt, “you blame chaos theory.”
Of course. The universe is chaotic.”
Then nothing’s predictable, nothing’s definitive, and that’s why you’re living off a pension cheque. Take the lottery for instance….”
Yeah, take the lottery. Holly shit. My foot began tapping again, and I checked my pocket for my last $5, the price of $25 million.
At the counter, I handed the five over to a smiling Pakistani man who moved like a machine, inserting my numbers into the slot, then pulling out my ticket.
Good luck,” he said, handing it to me.
I wondered how many times he said that in a week. Again, who gave a shit? Then he said, “Do not forget to put your name, address and signature on the back – very very important!” This guy was all drama.
Now I was suddenly aware of the potential of a measly piece of paper. The ticket was nonnegotiable. Yet I trembled as I held it.
It was getting dark and cold, but going home was out of the question. Ralph was right, there were likely some of Philbin’s boys in town. ‘Las Vegas’ Max Philbin, that is, to whom I owed a little over a hundred grand. He might even be in town himself, for that kind of money. Max was a hands-on kind of guy. So I’d sleep at the bus station, sitting up. If they gave me the bums rush, it would be a back alley. But if all went according to plan, it would be the last time I slept with the rats.
The next morning I woke to a janitor running a mop over my shoes, as he washed the floor.
Hey, fuck,” I yelped, jumping up. “These shoes are Allen Edmonds.”
Then you should give them back,” he said.
Oh, that’s a very funny fucking line for a janitor.”
He smirked as I tried to kick off the slop. Then I saw Asher standing a few feet away.
What the hell do you want?” I didn’t bother with the iPhone trick. Who cared if a guy sleeping in a bus station talked to himself?
Golly,” Asher said, as unsuspecting people milled round him, “this sure is a crummy part of town, even worse than when I was alive.”
Yeah, well that’s 2015 for you.”
You got the ticket, right?” he said.
I thought I’d finally gotten rid of you.”
I got nowheres else to go. What about the ticket?”
I got the fucking ticket, okay? What’s it to you.”
He shrugged, but was that really a blank expression? What did he know?
It was raining the usual shitty Vancouver rain outside. I checked my watch. 8am, still a whole day to go. I put up my collar, and began to walk. The watch was a limited edition TAG Heuer, purchased after a big win at craps in Vegas. I considered pawning it, but thought any pawnshop unworthy. I found an awning over an abandoned storefront, and sat down. My stomach growled.
Hungry?” Asher said.
Bugger off.”
There’s a soup kitchen round the block.”
Will you just fuck off?”
My mamma and me got real hungry sometimes,” said Asher. “She drank a lot of wine, and didn’t wanna do war work. We went to a soup kitchen, the Franciscan Sisters. They gave us food and told us Jesus loves us.”
Yeah? Well where’s Jesus now?”
I guess he’s home with the funny papers.”
Terrific.”
The guy ladling out the soup in the soup kitchen gave me the once over, then a wondering look. My jacket was wet, but it was still an Armani.
Hard times, brother?”
Temporary,” I replied.
Me too,” he said. “But the thing about temporary, I’ve found, is that it can last an awful long time.”
Can I just have some soup? Gawd, who the hell eats soup before noon anyway?”
You do, bub.” He filled my bowl and handed me some bread. Then he said, “Do yourself a favour. Do whatever you gotta. Rob a bank if you have to. But don’t come back. You don’t belong here.”
The soup’s main ingredients were water, salt and a piece of carrot, and the bread was only minutes away from sprouting mould. Other patrons avoided sitting with me. Asher watched without blinking, from a far corner. Everyone but me ignored a tall grubby man at another table when he stood up and screamed for several minutes. All-in-all, it was a hideous dining experience.
As I left the building, a woman wearing a Jesus Rocks t-shirt handed me a pair of dry socks. They were red, and I was wearing taupe slacks with brown shell Cordovan loafers. It wasn’t going to work, but I took them anyway.
Keep the faith, brother,” she said.
I would, absolutely. I felt the ticket in my shirt pocket.
I spent the rest of the day walking, my new socks soaked through. At about 7:25, I walked into the mall and up to the lotto kiosk to watch the numbers come in. It was the first time I’d actually looked at the ticket to see what mine were. 2 3 5 7 11 13 17. What the fuck? The first seven primes. My stomach knotted. What a ridiculous combination. It would never come in, all primes in sequence. It was impossible. I’d been played for a sucker by an apparition.
I was about to tear the ticket up when I heard Asher say, “Don’t do it.”
But this is stupid,” I said. People began looking at me. I should have put my iPhone to my ear. “In all of the history of the universe, something like this has never happened, and never will. I hope you and your deceased pals had a good laugh.”
Just shut up and wait,” Asher said.
Shut up? Poltergeist Jr. had just told me to shut up. The situation was worsening by the second.
Then the first numbers started to appear on the screen behind the counter. First came 2. Then the second: 3. The third: 5. Holy shit! The forth: 7. This was sick. Unbelievable. The knot in my belly rapidly changed from one kind to another. The next numbers couldn’t possibly be a match. But they were: 11, 13 and 17.
I checked it again and again.
Holly hot bloody fucking goddamn shithouse motherfucker,” I said.
A couple of people looked over their shoulders.
We gotta go,” said Asher.
I’m stinking rich!”
Yeah,” he said, “but let’s get outta here. You’re attracting attention. Someone’s gonna follow you out if you make too much noise. I can’t protect you.”
He was right. Some members of the normally zombie-like shopping mall crowd were starting to look at me like they were either going to eat my brains or hoist my ticket. I made for the exit, and walked out onto the sidewalk.
Rain.
You have to call the lottery office in the morning,” Asher said. He was walking quickly to keep up, his naked feet splashing through puddles.
What do I do until then?”
Lay low,” he said, and then vanished.
Lay low. Hell, it’d been hours since my bowl of salty soup, and I was freezing. I was a millionaire without a dime in my pocket, and no one to celebrate with. My smartphone was useless, I’d spent most of the day hiding under a bridge, and I couldn’t go home in case I ran into a homicidal bookie. There was no lower to lay.
I hugged the storefronts, weaving in and out of doorways and under awnings, to stay out of the rain. Then passing Dunn’s Tailors, I noticed that they were having a suit sale. I stopped and looked in the window. High end worsteds, nice lines. Snappy but dignified Italian ties. Dunn’s was my favourite tailor. It would be the first place I stopped after I collected my purse.
A few other guys must have shared my enthusiasm, because I was suddenly in the company of three men.
Nice,” said one, looking into the window.
Yeah Max,” said another. “Real nice.”
Max? It couldn’t be. What were the odds of him finding me here, now? But then, what were the chances of a sequence of primes being a winning lotto numbers?
Fuck,” I said, quiet and resigned.
How you doing, Lester?”
It was, indeed, ‘Las Vegas’ Max Philbin standing next to me. Rain streaming down his pale doughy face, illuminated in the dim store window light. He had boozy garlicky Eau de Vart funk hovering over him.
I’m just fine,” I said.
You really look like shit, though.”
Thanks.”
You know,” Max said, “there ain’t one goddamn decent restaurant in this whole toilet of a town.”
You should have called ahead,” I said. “I would have told you as much.”
You know why I’m here, Lester?” said Max. “Because you owe me money, and you’ve been avoiding me like it’s alimony.”
You got a cigarette?” I said. He offered me a Camel and a light. It was mighty tasty, my first in over a twenty-four hours. “Give me until tomorrow morning. Things have changed for me.”
Changed how?”
I won the lottery.”
Don’t get smart with us,” Max said, “you deadbeat son of a bitch.”
Look, just give me until tomorrow. Have one of your boys shadow me. Lock me in a hotel room. Handcuff me to a chair. I tell ya, tomorrow I’ll pay you every dime.”
You’re a liar, Lester,” Max said. “Which ain’t no business of mine, normally. Shit, I’ve told some real whoppers in my time, eh boys?”
The goons laughed and slapped Max on the back.
But you owe me over a hundred grand, and lies will not be tolerated. Grab him boys.”
They pulled me round the corner, and into the alley. Then they threw me against a wall between two cars, and Max’s goons started kicking and stomping the hell out of me. They were good, and they were wearing me down. It wouldn’t be long before I received the final crippling wallop, so I struggled to pull the ticket from my pocket, and then held it up for all to see.
It’s legit,” I spit through the blood. “Check it. Use your fucking phone and check it.”
All right all right,” Max said to his boys, “lay off.” He snatched the ticket out of my hand.
You got blood on it,” he said.
The goons snickered.
Check it,” Max said, handing it to one of them. “It don’t seem impossible, I guess. You’ve been on one of the worst losing streaks I’ve ever seen. It’s gotta turn round sooner or later. Why not now?”
It’s turned around,” I assured him.
Holy shit!” said the goon with the Android. “Boss, take a look.”
Max grabbed the phone and the ticket, and there the numbers were, on the Lotto Extreme website.
Twenty-five million?” he said. “That can’t be right.”
It is,” I said. “I’ll call them in the morning and get the cheque. Maybe it’ll take a couple of days. I don’t know, but I can pay you then.”
Las Vegas’ Max Philbin stood there for a moment, flicking the very valuable piece of paper with a finger. There was a machine in his head that could calculate changes in the fabric of circumstance as easily as it did odds and percentages, and this calculation was an easy one. Then he turned the ticket over, and looked.
Nah!” he said.
Nah? What does that mean, nah?”
It means I take the ticket, and we’re square.”
No way, I only owe you the hundred grand.”
Call the rest interest.”
Fuck no!”
We should whack him, boss,” one of the goons said. “He’ll go to the cops, for sure.”
And tell ‘em what?” Max said. He held the ticket so his henchmen could see the back of it in the yellow lamplight. “Look, the dumb shit hasn’t put his name or nothin’ on the back. I’ll just fill it in with my particulars, and badda-pow, I got twenty-five mill. If we wax him now, he won’t be able to spend the rest of his life cherishing this little moment.”
My life hadn’t been a bad one, mostly. And if it was a mess now, it was my own fault. But like most fuck-ups, I’d always felt a little like the world was awfully unfair. I figured it had a hate on for me, especially as I bled in the rain. Sure I’d made some bad bets, and taken some lumps, but I’d always lost and taken my lumps from better people than Max.
I guess that’s how the idea came to me. And what could it hurt, now that all I had to look forward to was a life of wondering, what if? So I deciding to follow through, and pulled back my knee until it touch my belly, and then let it go: my foot, heel first into Max’s junk. You could have heard him gasp and howl three blocks away, then he fell onto the ground, screaming like a little girl.
His gorillas were stunned. This was unforeseen.
Boss?” one of them said. “Wadda we do?”
In a moment, after rolling around in the puddles, Max was able to form the last two words I would ever hear, this side of the eternal curtain –
!!Shoot him!!”
Then I watched as both of his thugs drew and aimed. There were only a couple of muzzle flashes, that I saw. But I guess they’d kept shooting after that, because a few seconds later, standing over my body, I saw that they’d reduced it to hamburger from the waist up. Forget the open casket. They were going to sop me up and squeeze the sponge out over my open grave; yea, though I walk through the valley…, drip drip fucking drip.
Glad you could make it, chief.” It was a familiar voice coming from behind me. I turned round and saw Ralph, with Asher at his side.
I don’t get it,” I said.
What’s to get?” Ralph said. “Like I told ya, it’s a pyramid scheme, the whole death by misadventure racket is. One dead guy enrolls as many other dead guys as he can, and they enroll as many as they can. Along the way a fella’s gotta learn how to recruit participants.”
Enroll? Participants?”
Yeah, participants,” Ralph said. He put his hand on Asher’s shoulder and said, “My little man here recruited you. He’s one hell of a recruiter, ain’t ya boy.”
Yeah, I’m okay,” Asher said with a shrug.
He even arranged for that Max fella to run into you,” Ralph said.
But why?”
Hell, I don’t know. It’s a lousy business model. You’re bound to be disappointed. Everyone is. I’m the first to admit that there ain’t no benefit to it. It’s kinda like the leaves falling in October. It just happens.”
So now I’m dead,” I said. “And you used the lottery ticket as a scam to enroll me. Why didn’t you just have me run over by a bus?”
Ain’t no fun in that.” Ralph laughed and clapped his hands. “Bein’ dead can get awful dull. A little bit of cabaret is always welcome. We got you a good one, eh?”
Go to hell.”
Been there,” he said, his eyes flashing a bright fiery red. “Shit, I even bought goddamn lakefront property.”

* * * * * * * * *

Death is weird. It’s like looking at the living through the bug splat on a windshield.
I swore the moment I heard about it, that I would never participate in The Pyramid Scheme, but Ralph was right, death is boring. So, I’ve caved-in, and I’m about to enroll my first participant. That’s why I’m here in Vegas, standing out front of the MGM.
Oh, hang on. I’ve got to go. Max Philbin just pulled up.


dm gillis is a Vancouver writer who lives vicariously through the dead. Follow him on Twitter here or on his blog